Last Sunday, I played trumpet in the church orchestra again, and this time our music was in the key signatures of F# (six sharps), B (five sharps), E (four sharps), and B-flat (two flats). So what, who cares? I did last spring when I facetiously complained about it in my post of 28 March (see also, 11 April) 2011. But no more. As the Worship Director commented with a wide smile, she chooses the key signature of the music for the benefit of the congregation. It’s all about worship by everyone, not about the musicians or the orchestra. Right on!
Posts Tagged ‘key signature’
Six Sharps (Key of F#)—Who Cares in this Great Church Orchestra? Not me!
Posted by glennled on December 17, 2011
Posted in Church Music | Tagged: church, F#, flats, key signature, music, musicians, orchestra, sharps, trumpet | Leave a Comment »
“Taps” for Japanese-American WWII Veteran at Evergreen Washelli in Seattle
Posted by glennled on August 21, 2011
Yesterday, I played “Taps” as part of the military honors accorded a Japanese-American veteran who served in World War II after having first been interned at the Minidoka War Relocation Center in Hunt, Idaho with his family. Born in 1923 in Seattle, he was 18 when the U.S.A. entered the war. Within a year after internment, he enlisted in the Army. He served as a translator of Japanese for the Military Intelligence Service during the reconstruction of Japan. He died 25 December 2010. His wife, also born in Seattle, died 14 July 2011. They were married 61 years.
The graveside service at Evergreen Washelli Cemetery in Seattle was led by the head minister of Seattle Betsuin Buddhist Church. Near the end of the service, the Honor Guard carefully unfolded the American flag and dramatically displayed it to the family and friends. That was my signal to sound “Taps.”
I now own my version of “Taps.” Before, I had been experimenting with slight variations in the way I would play those 24-notes. But as of yesterday, I realized that I’ve now worked out every detail of how I play it. I’ve chosen the key signature, tempo, rhythm, phrasing, and dynamics. I know when to breathe, I know when to use vibrato, I know how long to hold each fermata, I know when to make the notes swell and when to let them fade. Whether loud or soft, I keep the tone solid.
The Honor Guard then folded the flag and presented it to a gentleman in a dark suit. Afterwards, he thanked me.
“Are you his son?” I asked.
“Yes.”
“A good life?” I asked.
“Yes, a wonderful life, a wonderful man!”
I said I served in the Navy and thanked him for his father’s service. I said I would like to know more about his story. “It’s my honor and privilege to play for him today.”
Posted in Ceremonies & Celebrations | Tagged: breathe, dynamics, Evergreen Washelli, fermata, Hunt, Idaho, Japanese-American, key signature, military honors, Minidoka War Relocation Center, notes, phrasing, rhythm, Seattle Betsuin Buddhist Church, Taps, tempo, tone, vibrato, World War II, WWII | Leave a Comment »
Why on Earth Write in the Key Signature of F-Sharp (Six Sharps)?!
Posted by glennled on March 28, 2011
I’ve decided there is something wicked about any composer or arranger who writes music in the key of F-sharp major! Why in the world would you choose to do that, when right next door, a mere half-step up or down the scale, are either the key of F (with one little flat, B-flat) or G (with one little sharp, F-sharp)? When I was young, I might have played in the key of F-sharp, but at my age, why should I want to or have to? Holy cow, come on! 😉
Last Sunday, I played trumpet again in that wonderful church orchestra about which I wrote in my post of 25 December 2010. During the two services, we played a total of 8 pieces. Wonderful worship services! Loved the music selection and most of the arrangements…except the one for “Let the Church Rise.” Great piece, but tell me—why six sharps for B-flat instruments including the trumpet? For C instruments such as the piano and flute, that is the key of Concert E, which has four sharps and is bad enough in itself. Mercy!
My theory is that Mr. Arranger must be bored or demonic or both. Must have played a string instrument or piano, I’ll bet. Hates brass. Must be on a crusade to force musicians to practice. Mean guy. The devil himself must be behind this…sneaking the key of F-sharp into church music for laughs. Spoiler…saboteur. Yes, Mr. Arranger is possessed.
Now listen, students, if you’re still reading this—this is called “venting” or “blowing off steam.” It’s also called “whining,” “avoidance,” and “blaming” others for your troubles. It’s refusing to take responsibility for yourself. Another name for it is “stinkin’ thinkin’.” Consider this: is the horn designed and built to play in six and even seven sharps or flats? Answer: yes. Then the question is, “Can we, can you, can I do it?”
The truth is that if you want to master the horn, you must practice enough to play well in any of the 12 key signatures. That’s just how it is. No shortcuts, no excuses. Come on, Glenn, get to work. Watch your self-talk. “For as a man thinketh in his heart, so is he” (Proverbs 23:7).
“Just do it,” says Nike. “The Lord rewards those who help themselves,” they say. “If you pray to God to move a mountain, be prepared to wake up next to a shovel,” someone said. Go practice the scale, arpeggios, and etudes in the key of F-sharp, Glenn, and be better prepared the next time you’re called to play in this church orchestra. It’s what they do, and so can you. The fact is that they like certain arrangers who like certain key signatures with lotsa sharps. It is what it is. Get on board the train. 🙂
Posted in Church Music | Tagged: arranger, as a man thinketh, brass, church, composer, F-sharp, flat, key signature, Let the Church Rise, mountain, orchestra, self-talk, sharp, shovel, trumpet | 8 Comments »
