Glenn’s Trumpet Notes

News & Tips for Trumpet & Cornet Students

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Posts Tagged ‘duet’

Surprise Response to Puccini’s “La Boheme” at Seattle Opera

Posted by glennled on March 5, 2013

blog_poster_bohemeWhat does it mean when you cry in Act I of Puccini’s opera, La Boheme, and not when Mimi dies at the end of Act IV? Well, it must have a little to do with the fact that this is the second time my wife and I have seen La Boheme at the Seattle Opera. And it must have a lot to do with the singers and the music itself—there are a couple of outstandingly beautiful arias and a duet in Act I, sung by the lead soprano (Jennifer Black) and tenor (Michael Fabiano) when we attended on 24 February. And finally, it must have something to do with me, myself, and I.

Two trumpeters lead the parade by Cafe Momus in Act II. Photo by Elise Bakketun.

Two trumpeters lead the parade by Cafe Momus in Act II. Photo by Elise Bakketun.

In Act I, young Mimi and Rodolfo fall in love. Mimi is a seamstress and courtesan, and Rodolfo is a poor poet, living in the same cheap apartment house in Paris. She is ill, but their love is strong. Their future brims with hope and promise. Who does not remember an intense, dreamy, romantic love in one’s youth? A tear sneaks down from the corner of my right eye.

They nearly break up in Act III. and then in the climax of Act IV, Mimi passes away after a long bout with consumption. Rodolfo is the last in the room to realize that she is dead. And out in seat E-2, a pair of dry eyes watch. Whazat? Most people cry in all the right places. Not me, not this time. Surprise.

Love is born—tears. Love is lost—no tears. I’ve seen it before—I know this love will die. But we never let tragic love stories, beautifully told, die. This great opera should always remain one of the world’s most popular. It premiered 117 years ago at Teatro Regio in Turin, northern Italy on 1 February 1896. The opera is “about young people caught in a difficult economic situation in desperate and conflicted love,” writes Speight Jenkins, General Director of the Seattle Opera. “There is no opera that so immediately speaks to everyone’s youth, even to those very young.”

Please click on any photo to enlarge it.

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Christmas Eve Concert–Cornet and Piano Duet

Posted by glennled on December 30, 2009

"O Holy Night"

The Christmas Eve tradition in our family, hosted in our home, goes like this. All family members who are in town come over for dinner. (We have two grown sons, a daughter and three grandkids in southern California, Las Vegas, and New Zealand.) This year we were 10 locals (including four grandchildren) around our dining room table. After dinner, we sing Christmas carols. My wife is a piano instructor. While she plays, everyone sings the lyrics from the songbook she created a few years ago, especially for this annual occasion. Once, one of our local grandsons played the clarinet for us. This year it was my turn to solo at the family concert. I played “O Holy Night,” accompanied by my wife. Our daughter videoed our duet. I encouraged all my students to play something for their families during their own holiday festivities.

After Bible readings from Luke and Isaiah about Jesus Christ, the Messiah, and prayer, we do what the kids have been patiently waiting for: open presents! Finally, there is an evening snack, and they all go home, stomachs full, arms and hands laden with prize gifts, faces beaming, and eyes sparkling. Santa Claus is coming tonight!

My cornet is a “Super Olds” model with the nickel-silver rimmed bell, made by F.E. Olds & Son in Los Angeles. Miles Davis, Freddie Hubbard, Lee Morgan, Louis Prima, and Raphael Mendez are among those who played various Olds instruments. Olds started making trombones in about 1910, and later added other brass instruments, introducing the Super Olds line in 1932. My cornet ranked in the mid-range of the various Olds models of its time. Today, the equivalent horn probably costs about $1,700. Mine cost my parents $250, and I was so proud! Why did I choose a cornet? Simple: our high school band director specified that we all play cornets, not trumpets. He preferred the cornet’s more mellow tone and wanted a cornet section, not a trumpet section, in his band.

My Super Olds has been around. I played it all through high school and college. It took me to All-State Band in Texas and on music scholarship to Abilene Christian College and the University of Washington. It went to the Rose Bowl when we marched in the Rose Bowl Parade and gave a half-time performance during the football game: UW Huskies beat U of Minnesota Gophers, 17-7. Now I play it in the Husky Alumni Band.

I’ve played my Super Olds in concert, jazz, dance, and pep bands, in orchestras for operas and musicals, and in a U.S. Navy bugle corps. It’s traveled from Texas to Washington to Rhode Island. And now I’ve played it in a duet with my lovely wife in our own warm living room for our own special family. Yes, my horn looks a little worn, but it plays as well as ever. I like that.

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