Of the 67 bugle calls published by Carl Fischer, I have sounded six in public, plus “Echo Taps.” But until the morning of Saturday, 12 July 2025, at a memorial service, I had never had the opportunity to perform “Church Call.” The service was for Merlin D. Staatz at Open Door Baptist Church in Lynnwood (https://opendoorbaptist.com/). My “Church Call” opened the service, and my “Taps” helped close it.
In the afternoon, I sounded “Taps” for Gerald “Jerry” L. Seldon, Sr. at Nile Shrine Center in Mountlake Terrace (https://nileshriners.org/). It was a Masonic service, the second one in which I’ve ever participated. Inscribed on the statue in front of the clubhouse is this: “A man never stands so tall as when he stoops to help a Child.”
Each ceremony attracted about 100 friends and relatives. They were honorable men who served our country and on whose shoulders we stand. Regrettably, I know nothing of Seldon’s military service. Staatz was born in 2026 and was 99 years old when he passed in June. According to the program, he “served in the Philippines during the last year of World War II, sleeping in foxholes and leading his unit as a scout as they tried to take back the island of Luzon, one hillside at a time. He was awarded a Purple Heart. A week after Japan surrendered, he was stationed near Tokyo.”
At each of these two events, the flag presentation ceremony was performed by the Color Guard of the Shoreline unit of the U.S. Volunteers-Joint Service Command (USV-JSC) (https://www.usvjsc.org/). With these two, my “Taps” performances now total 245. I use my Getzen bugle.
Large crowd stands for the Invocation at Veterans Park, Lynnwood
To me, Memorial Day is always special, apart from its main purpose–to remember those veterans who gave their lives in service to our country. I’m one of the lucky ones who get to perform at this special memorial ceremony! And not only that, I get to sound bugle calls. And more than that, one of them is “Echo Taps”. And on top of that, the other two are “Assembly” at 11 a.m. to call the meeting to order and “To the Color” as the flag is raised at noon from half-staff to full staff. And such it was this Memorial Day, celebrated on Monday, 26 May 2025.
Joining me to sound the “Echo” part was Jasper Stutes, a senior trumpeter at Lynnwood High School. Among the other participants were the VFW Post 1040 Honor Guard, the Nile Shrine Legion of Honor, and Boy Scout Troop 49. I’m sure those participants felt as lucky, proud, and honored as I did.
I used by Getzen bugle–love that horn!
Photos by Julia Wiese, Lynnwood Today. Please click on any photo to enlarge it.
Glenn LedbetterBoy Scout Troop 49Jasper Stutes (background)Nile Shrine & VFW Post 1040Navy Veteran & Navy FlagVFW Post 1040 Honor Guard
U.S. Navy Wreath (photo by Phil Onishi)Photo by Glenn LedbetterPeople voluntarily lay the wreaths (photo by Phil Onishi)
Despite the high, cold wind at 9 a.m. on Saturday, 14 December 2024, the participants and crowd gathered at the Doughboy statue in Veterans Memorial Cemetery at Evergreen-Washelli in north Seattle for the 16th annual Wreaths Across America (WAA) ceremony. The wind chill was so bad that the emcee, Lorraine Zimmerman, cut her own speech from the program. She is President and Executive Director of the Veterans Memorial Wreaths Foundation (WMWF—please see http://www.vmwf.org).
The croud gathers
My bugle call, “Assembly,” called the ceremony to order. The first major event, as always, was the placement of flags upon the 8 ceremonial wreaths by representatives of the Army, Marine Corps, Navy, Air Force, Space Force, Coast Guard, Merchant Marines and POWs/MIAs. (Read more about the POW/MIA representative below.) Then the Honor Guard of VFW Post 1040 of Lynnwood fired a 21-gun salute (3 volleys).
Lorraine Zimmerman presides as emcee
The ceremony concluded with “Echo Taps.” I sounded the lead part and James D. (Jim) Kellett, Army Musician CWO2, did the “echo.” I used my Getzen field trumpet (bugle), and he used his Super Olds trumpet. [Recall that I own a Super Olds cornet.] He is a member of the VFW 1040 Honor Guard and regularly sounds “Taps” with the Rifle Team at funeral services for veterans at numerous cemeteries throughout the area.
The second main event is the placement of wreaths against selected headstones among the more than 5,000 graves of veterans within Evergreen-Washelli. Seven Medal of Honor recipients are buried there. Zimmerman asked the wreath-laying volunteers to read aloud the names on the headstones as they placed the wreaths and thank them for their service—they are not forgotten.
Similar ceremonies are being held this year at the same local time in more than 4,500 participating locations in all 50 states, at sea, and abroad. More than two million volunteers and supporters are involved (please see http://www.wreathsacrossamerica.org).
Flag placement on POW/MIA Wreath
Capt. Wilson, Cadet Mugo, and Lorraine Zimmerman
When the time came, Zimmerman called the POW/MIA representative to the podium to receive the flag that he would place on the POW/MIA wreath. As he stood before her, she read a brief description of his POW experience.
““Captain William W. Wilson, U.S. Air Force, is assisted by Cadet Martin Mugo, UW USAF ROTC.
“Captain Wilson, former prisoner during the Vietnam War, made 33 missions over North Vietnam and Laos, flying an F-111 Aardvark before being shot down while bombing the Red River docks in downtown Hanoi on 22 December 1972. He evaded capture for a week, was nearly rescued by a Super Jolly Green helicopter, and then was captured by the North Vietnamese on 29 December. He spent a month in the ‘Heartbreak’ section of the ‘Hanoi Hilton’ [Hoa Lo Prison, loosely meaning ‘hell’s hole’ or ‘fiery furnace’] before being moved to the ‘Zoo’ [facility near the village of Cu Loc].
“He returned to U.S. control on the last C-141A Starlifter out of Hanoi on 29 March 1973 during Operation Homecoming.
“Bill will now place a flag in honor of the more than 83,000 United States servicemen and women from all branches of the service whose last known status was either Prisoner of War or Missing in Action. These individuals have never returned to their families and homes. We will not forget you.”
After he placed the flag and rendered a slow hand salute, he turned and walked slowly back across the grass toward the crowd. From a distance, I rendered a hand salute to him, and as he stepped onto the paved road, the crowd broke into warm applause. Zimmerman later told me, “I was so proud when the crowd honored him so spontaneously.” Indeed, it was the highlight of this year’s ceremony. Please see the photos (below, by Phil Onishi) of Captain Wilson and Cadet Mugo.
Embouchure Troubles Are Subsiding Nicely
Glenn Ledbetter warms up his bugle by sounding “Assembly” with a practice mute that deadens the sound
It was one year ago that I developed severe embouchure troubles for the first time in my life. Old age brought crooked teeth, to the point that my left front tooth had crossed over the right one just enough to disrupt the air flow into the mouthpiece of my horns. The problem flared up suddenly, right before last year’s WAA ceremony. I first alluded to it in my blog post of 10 June 2024, about the previous WAA ceremony. Then I wrote about it in more detail in my post of 12 June about my performance at The Bellettini retirement community in Bellevue. (Please use the Archives in the left column to find these articles, if you wish).
I had to go to the orthodontist for the solution: not braces, but Invisaligners (see http://www.invisalign.com). I wear them constantly, daily, except when eating. They have been gradually straightening my teeth since last February. Next spring, my teeth should be completely straight with the proper overbite—Oh, Happy Day!
But last May, after only four months, my teeth had straightened sufficiently that I was able to start performing again. My first public appearances were on Memorial Day when I performed at the ceremonies at Veterans Park in Lynnwood and in T-Mobile Park at the Seattle Mariners baseball game before a crowd of 24,000. Since then, on a reduced schedule, I have performed my one-hour trumpet shows at several retirement communities in the Greater Seattle area (scroll down this page). I’ll resume normal scheduling in 2025.
Photos Credits and Donations, Likes and Comments
Please click on any photo to enlarge it. All photos (except the one by me) are by Phil Onishi (please see https://philonishiphotography.smugmug.com). Mr. Onishi, long-time Band Director at Lynnwood High School, sang the National Anthem.
Donations are welcomed by both WAA and WMWF. I invite you to “Like” and “Comment” by clicking on the links below.
The national tradition is to conduct the Veterans Day ceremony at 11 a.m. local time, worldwide, on the 11th day of the 11th month—formerly known as Armistice Day, WWI. Never forget, as succeeding generations were charged by Canadian Lieutenant-Colonel John McCrae in his elegant poem, “In Flanders Field.” And so this is done annually at Veterans Park in downtown Lynnwood.
This is the second time that I’ve sat in my walker at this location for sounding the two bugle calls, ‘”Assembly” and “Echo Taps.” My lower back hurts, and when I stand to play, I’m a bit shaky. Also, I am challenged by the aligners that are in my mouth to straighten my teeth. (They should be removed by next Memorial Day.) Old age does its thing. So, when I sit, it sounds better. Judah Deuman sounded the “echo” part. He graduated from Lynnwood High School last spring. I used my Getzen field trumpet, and he used his trumpet.
Please click on any photo to enlarge it.
Photos by Julia Wiese, Lynnwood Today:
Boy Scouts Troop 49Glenn Ledbetter, VFW 1040 BuglerVFW Post 1040 Honor Guard (L) and Legion of Honor, Nile Shrine Center (R)
On Memorial Day this year, I sounded four bugle calls:
MorningStar Senior Living at Silver Lake, Everett
“Assembly” and “Echo Taps” at the ceremony hosted by VFW Post 1040 at Veterans Park in Lynnwood.
“Taps” at the retirement community, MorningStar Senior Living at Silver Lake, in Everett.
“Taps” at the Seattle Mariners baseball game at T-Mobile Park in Seattle.
Judah Deuman, a senior trumpeter at Lynnwood High School, played the “echo” part of “Echo Taps” with me.
Veterans Park, Lynnwood
These were very significant, “comeback” performances for me. I had not played in public for the past five months.
In my previous blog article, I divulged that during last December, I was having trouble playing my horns. My orthodontist predicted that I should be able to play my horns again by Memorial Day. Sure enough, it happened!
Now, what else could happen? Sciatica, that’s what. While sounding “Assembly” during the morning ceremony in Lynnwood, I discovered I could not hold a steady tone while standing, due to my lower back pain. So, for the rest of the day, I sounded “Taps” while seated on my walker and did just fine.
Who said that old age is just a number? Well, if that’s true, then jail is just a room.
The privilege of sounding “Taps” at the Mariners game that evening is presented in my next blog article.
“Things Remembered” is the name of one of my favorite one-hour trumpet shows. But that show is not the remembrance that still bothers me. Instead, it’s the memory of those five days, 16 to 20 December just before Christmas. On the 16th, I performed two bugle calls at the Wreaths Across America ceremony in Seattle, which I wrote about in my previous post here. And on the 20th, I performed my trumpet show, “Things Remembered,” at The Bellettini,” in downtown Bellevue. I struggled to play my horns on both days, and afterwards, I did not touch them again for the first four and a half months this year. What happened? Let me tell you.
Suddenly, a few days before the 16th, my buzz into the mouthpiece went bad. My lips would not respond to the air flow unless I blew quite hard. But you can’t play every note of every bugle call or song at “FF” volume. I’d blow, and at first, only air would hiss through the horn before a note would suddenly burst out. It was sort of like stammering or stuttering, when the words just won’t come out of a person’s throat for a few seconds, followed by a shout. I’d lost the ability to fade out down to “pp” and softer. I’d lost some control of dynamics and the ability to express certain emotions through the horn.
At first, I thought it was simply stiff lips that had lost their flexibility from not enough practicing. I thought I could overcome it if I warmed up for at least 20 minutes. But no amount of warming up would eliminate it. On the 16th, my “Assembly” didn’t sound normal. I struggled a bit with “Echo Taps,” too. It didn’t help that I had to stand and play without my cane, hunched over from lower back pain.
So, should I cancel my show at The Bellettini? I love The Bellettini, the staff, and the residents. They had invited me back for the fifth time to present a new show which they had not yet heard.
I couldn’t bear the thought of canceling, even if I wouldn’t sound normal. I had three more practice days to improve. If I didn’t sound better, would they forgive me? Or would they walk out and never invite me back again?
Yamaha Allen Vizzutti, Bach 1.5C, 3C, 8C, and Getzen 3C, 7C trumpet mouthpieces
No amount of practicing changed things. I reached a certain level, and nothing improved beyond that. Then I hit on another idea: what about changing mouthpieces? Up to now, I’d been using only my favorite, the Allen Vizzutti mouthpiece by Yamaha. So, I broke out my entire (but small) collection of six trumpet mouthpieces and tried each one. I got the best results with my Bach 1.5C. Eureka!
I arrived quite early, set up, and went into a side room to warm up for a half hour. Then I came out and did the show—not normal. But no one walked out. They were very tolerant and forgiving, and besides, they were enjoying themselves. After all, we’re all in the same age group–we could be classmates!
Afterwards, numerous residents came up to thank me and say how much they enjoyed the two dozen songs from our era–such great songs with which they could sing along!
And then, a tall man came up, thanked me, and said in a kind voice, “It’s hard to play when the buzz won’t work right, isn’t it?” He said he used to play saxophone and luckily, with a reed mouthpiece, that problem can’t happen.
“Yes,” I said. “But they liked the music and had a good time.”
He agreed sympathetically and complimented me for doing my best on an off day. Was that really all it was—just an off day? I worried that my playing days might be over entirely. I might never play again in public. I simply knew that I would never let myself play like that again.
But the experience of those five days begged the question: what caused this problem? It had never happened to me since I began playing in fifth grade.
I thought, “It must be my two front teeth”—my central incisors in the upper jaw. You see, for those readers who are young, your teeth can start to migrate in old age. Mine had been slowing creeping toward the middle of my mouth for several years, so much so that the left front tooth had actually slid outside and over the right one. It was overlapping and pushing itself outward against my upper lip, and it was probably also pushing the right tooth backwards toward my tongue.
Is this TMI–“Too Much Information?” Well, how else will you know what to do when this happens to you? Keep reading…
I developed a new theory. The crooked front teeth were diverting the air flow, ruining my buzz. So, last January, I went to see my orthodontist, Dr. Zachton Lowe in Shoreline. He advised plastic aligners by Invisalign instead of metal braces. He said it would take about sixteen months to straighten all my teeth.
“Can I play ‘Taps’ on Memorial Day?” I asked.
“Yes, I think so.”
And so, I did! The Bellettini taught me a huge lesson. Please read all about my Memorial Day performances in two blog posts which are soon to be posted in a few days–but first, I’ll post next about the music on our spring trip to Italy and Paris.
Glenn Ledbetter warms up his bugle while using practice mute to muffle sound
For the first time, I used a cane to walk to my position for sounding “Assembly” and “Echo Taps” once more on my Getzen bugle at this, the 15th Annual Ceremony called Wreaths Across America (WAA). “Assembly” silences the crowd and opens the event. “Echo Taps” signals its conclusion. Just like two years ago, Laurence Stusser played the “echo” part on his trumpet with me (please see my blog article of 31 December 2021).
The cane was necessary, of course, because of my continuing sciatica nerve pain in my lower back and down my leg. But that was not my only trouble at this performance.
Photo by Glenn Ledbetter
I noticed that I was suddenly having some trouble with articulation, slotting, and tone control. It puzzled me. Nothing like this had ever happened since I originally began playing my cornet in fifth grade! At this writing, however, in hindsight, I now know what was causing the problems. More in subsequent blog articles.
For more information about WAA and past ceremonies, simply use the Search box in the upper right column. Search keywords “Wreaths” and “Wreath-Laying” for different results. Also, check out https://www.wreathsacrossamerica.org and https://www.vfw1040.org.
All photos except two (as marked) are by Phil Onishi Photography. Please click on any photo to enlarge it.
This year, Gold Star Mothers’ Day occurred on 24 September, almost one year after a very significant event that lingers in my memory—the dedication ceremony of the Gold Star Mothers Families Monument in Veterans Park in Lynnwood on 2 November 2022—exactly one year ago today. At the end of the ceremony, Laurence Stusser and I sounded “Echo Taps” for the local Gold Star Mothers who attended, along with a crowd of about 300.
Front view by Cody Sexton, Lynnwood Today.
Woody Williams formed a foundation to establish Gold Star Mothers Families Monuments in as many communities as possible in all U.S. 50 states and territories. There are now at least 131 Gold Star Families Memorial Monuments across the United States, and an additional 65 underway for installation. Three are located in Washington state in Walla Walla, Forks, and Lynnwood.
Memorial Day Ceremony 2023, Veterans Park, Lynnwood, WA
On Memorial Day (29 May), I performed at three different venues—Veterans Park in Lynnwood, my Perrinville neighborhood in Edmonds, and Fairwinds, Redmond retirement community. In all, I sounded five different bugle calls and 24 patriotic marches and songs. It was a full day!
Memorial Day Ceremony, Veterans Park, Lynnwood
About 150 veterans and civilians assembled here, the largest crowd for this ceremony since we resumed it after the Covid years. The event was hosted by the City of Lynnwood and VFW Post 1040. Participants included:
VFW Post 1040 Honor Guard
Nile Shriners’ Legion of Honor from Mountlake Terrace
a piper and drummer from the Northwest Junior Pipe Band
American Legion Post 37 of Edmonds
Boy Scout Troop 49 of Lynnwood
Gold Star Mothers, Washington State Chapter
Lynnwood Firefighters
Nolan Stewart
Glenn Ledbetter
So, I sounded “Assembly” to start the event at 11 a.m., using my Getzen bugle. The guest speaker was Michelle Black, a Gold Star Mother (for more information on Gold Star Mothers, please see my blog post of 19 June 2014, using the Archives in left column). Incidentally, the Gold Star Mothers Monument in Veterans Park was dedicated on 2 November 2022, when I performed “Echo Taps” with Laurence Stusser, my trumpet student, who sounded the “echo” part on his 1947 Super Olds (Los Angeles) trumpet.
At the close of the ceremony, I sounded “Echo Taps” with the “echo” part sounded by Nolan Stewart, using his Bach trumpet. He will attend Oregon State University this fall and will be a member of the marching band. Finally, at noon, VFW Post 1040 Commander, John Beam, raised the flag from half to full mast, as I sounded “To the Color.”
“Taps” for my Neighbors
I’m a member of “Taps for Veterans,” a nationwide organization of buglers who perform at local ceremonies and funerals for veterans (please see http://www.tapsforveterans.org). The National Moment of Remembrance was inaugurated by Congress in 2000. It is an annual event that asks Americans, wherever they are at 3:00 p.m. local time on Memorial Day, to pause for one minute to remember those who have died in military service to the United States. Taps Across America (a sister organization at http://www.tapsacrossamerica.org) promotes this event by the sounding of “Taps” in local neighborhoods at 3 p.m. on Memorial Day.
By J.W.
In my case, however, I had to be in Redmond at that time, so I rushed from sounding “To the Color” at the above event in Lynnwood to my home in Edmonds, where I stood on our front porch and sounded “Taps” at about 12:20 p.m. A neighbor took my photo. Then, I hopped in my car at 12:30 and rushed to Redmond, where I was to perform one of my six trumpet shows at a retirement community at 2:00.
“I Stand for the Flag” at Fairwinds, Redmond Retirement Community
This was my second appearance at Fairwinds, Redmond. This one-hour show consists of two dozen patriotic marches, songs, and bugle calls. The audience sang along as I played my five horns: Getzen Trumpet, 1954 Super Olds Cornet (Los Angeles), Austin Custom Brass (ACB) Flugelhorn, Jupiter Pocket Trumpet, and Getzen Field Trumpet (Bugle). The two bugle calls in this show are “Sunset” (my favorite British call) and “Tattoo” (my favorite American call). I told a few jokes, too. It’s always fun!
Please click on any photo (above) to enlarge it. Four are by Mario Lotmore of Lynnwood Times, three by Jasmine Contreas-Lewis of Lynnwood Today, one by J.W., and five by me.
Every year when public demand peaks for a bugler/trumpeter, I’m happy to hop-skip-and-jump all over the Greater Seattle area to perform. This year, as usual, there were lots of opportunities surrounding Memorial Day. I sounded bugle calls at two venues and presented my one-hour trumpet show, “I Stand for the Flag” at three different retirement communities in four different cities:
26 May – Edmonds Community College (ECC) in Lynnwood – my sixth appearance
27 May – Skyline Towers in Seattle – second appearance
28 May – The Bellettini in Bellevue – first appearance
30 May – Veterans Park, Lynnwood – tenth appearance
30 May – Fairwinds Redmond – second appearance
At the ceremony at ECC, dressed in my VFW uniform, I sounded two bugle calls: “To the Color” inside the Black Box Theatre and “Taps” outside near the Boots to Books and Beyond monument. Native American Peter Ali improvised solos on two of his flutes twice during the ceremony.
At Skyline Towers retirement community in downtown Seattle, I performed my one-hour trumpet show, “I Stand for the Flag,” again in uniform. It is a collection of about two dozen patriotic marches, songs, and bugle calls. I did the same show at The Bellettini in downtown Bellevue and at Fairwinds Redmond.
But before performing in the afternoon in Redmond on Memorial Day, I also sounded three bugle calls in the morning at Veterans Park in Lynnwood: “Assembly,” “Echo Taps,” and “To the Color.” Lukas Breen sounded the echo part in “Echo Taps.” He is an Electrician’s Mate 2nd Class on active duty in the U.S. Coast Guard, stationed in Everett. We both play Getzen bugles. Other musicians were a piper and drummer from the Northwest Junior Pipe Band, playing “Scotland the Brave,” “The Rowan Tree,” “Battle’s O’er,” “Amazing Grace,” and “Going Home.”
For more information about these venues, please go to these websites:
Glenn's Trumpet Notes 