Glenn’s Trumpet Notes

News & Tips for Trumpet & Cornet Students

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Archive for December, 2024

“Echo Taps” at Wreaths Across America: My Embouchure Troubles Subside Nicely

Posted by glennled on December 20, 2024

Despite the high, cold wind at 9 a.m. on Saturday, 14 December 2024, the participants and crowd gathered at the Doughboy statue in Veterans Memorial Cemetery at Evergreen-Washelli in north Seattle for the 16th annual Wreaths Across America (WAA) ceremony. The wind chill was so bad that the emcee, Lorraine Zimmerman, cut her own speech from the program. She is President and Executive Director of the Veterans Memorial Wreaths Foundation (WMWF—please see http://www.vmwf.org).

The croud gathers

My bugle call, “Assembly,” called the ceremony to order. The first major event, as always, was the placement of flags upon the 8 ceremonial wreaths by representatives of the Army, Marine Corps, Navy, Air Force, Space Force, Coast Guard, Merchant Marines and POWs/MIAs. (Read more about the POW/MIA representative below.) Then the Honor Guard of VFW Post 1040 of Lynnwood fired a 21-gun salute (3 volleys).

Lorraine Zimmerman presides as emcee

The ceremony concluded with “Echo Taps.” I sounded the lead part and James D. (Jim) Kellett, Army Musician CWO2, did the “echo.” I used my Getzen field trumpet (bugle), and he used his Super Olds trumpet. [Recall that I own a Super Olds cornet.] He is a member of the VFW 1040 Honor Guard and regularly sounds “Taps” with the Rifle Team at funeral services for veterans at numerous cemeteries throughout the area.

The second main event is the placement of wreaths against selected headstones among the more than 5,000 graves of veterans within Evergreen-Washelli. Seven Medal of Honor recipients are buried there. Zimmerman asked the wreath-laying volunteers to read aloud the names on the headstones as they placed the wreaths and thank them for their service—they are not forgotten.

Similar ceremonies are being held this year at the same local time in more than 4,500 participating locations in all 50 states, at sea, and abroad. More than two million volunteers and supporters are involved (please see http://www.wreathsacrossamerica.org).

Flag placement on POW/MIA Wreath

Capt. Wilson, Cadet Mugo, and Lorraine Zimmerman

When the time came, Zimmerman called the POW/MIA representative to the podium to receive the flag that he would place on the POW/MIA wreath. As he stood before her, she read a brief description of his POW experience.

““Captain William W. Wilson, U.S. Air Force, is assisted by Cadet Martin Mugo, UW USAF ROTC.

“Captain Wilson, former prisoner during the Vietnam War, made 33 missions over North Vietnam and Laos, flying an F-111 Aardvark before being shot down while bombing the Red River docks in downtown Hanoi on 22 December 1972. He evaded capture for a week, was nearly rescued by a Super Jolly Green helicopter, and then was captured by the North Vietnamese on 29 December. He spent a month in the ‘Heartbreak’ section of the ‘Hanoi Hilton’ [Hoa Lo Prison, loosely meaning ‘hell’s hole’ or ‘fiery furnace’] before being moved to the ‘Zoo’ [facility near the village of Cu Loc].

“He returned to U.S. control on the last C-141A Starlifter out of Hanoi on 29 March 1973 during Operation Homecoming.

“Bill will now place a flag in honor of the more than 83,000 United States servicemen and women from all branches of the service whose last known status was either Prisoner of War or Missing in Action. These individuals have never returned to their families and homes. We will not forget you.”

After he placed the flag and rendered a slow hand salute, he turned and walked slowly back across the grass toward the crowd. From a distance, I rendered a hand salute to him, and as he stepped onto the paved road, the crowd broke into warm applause. Zimmerman later told me, “I was so proud when the crowd honored him so spontaneously.” Indeed, it was the highlight of this year’s ceremony. Please see the photos (below, by Phil Onishi) of Captain Wilson and Cadet Mugo.

Embouchure Troubles Are Subsiding Nicely

Glenn Ledbetter warms up his bugle by sounding “Assembly” with a practice mute that deadens the sound

It was one year ago that I developed severe embouchure troubles for the first time in my life. Old age brought crooked teeth, to the point that my left front tooth had crossed over the right one just enough to disrupt the air flow into the mouthpiece of my horns. The problem flared up suddenly, right before last year’s WAA ceremony. I first alluded to it in my blog post of 10 June 2024, about the previous WAA ceremony. Then I wrote about it in more detail in my post of 12 June about my performance at The Bellettini retirement community in Bellevue. (Please use the Archives in the left column to find these articles, if you wish).

I had to go to the orthodontist for the solution: not braces, but Invisaligners (see http://www.invisalign.com). I wear them constantly, daily, except when eating. They have been gradually straightening my teeth since last February. Next spring, my teeth should be completely straight with the proper overbite—Oh, Happy Day!

But last May, after only four months, my teeth had straightened sufficiently that I was able to start performing again. My first public appearances were on Memorial Day when I performed at the ceremonies at Veterans Park in Lynnwood and in T-Mobile Park at the Seattle Mariners baseball game before a crowd of 24,000. Since then, on a reduced schedule, I have performed my one-hour trumpet shows at several retirement communities in the Greater Seattle area (scroll down this page). I’ll resume normal scheduling in 2025.

Photos Credits and Donations, Likes and Comments

Please click on any photo to enlarge it. All photos (except the one by me) are by Phil Onishi (please see https://philonishiphotography.smugmug.com). Mr. Onishi, long-time Band Director at Lynnwood High School, sang the National Anthem.

Donations are welcomed by both WAA and WMWF. I invite you to “Like” and “Comment” by clicking on the links below.

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Second Performance at Quail Park of Lynnwood

Posted by glennled on December 15, 2024

Quail Park of Lynnwood

I’ve performed at 32 different retirement communities in the Greater Seattle area, and Quail Park is unique in a good way. Of course, every community is unique, but I’m thinking of Quail Park’s private, hilltop location and its eight different floor plans:

  • 2 bedroom/2 bath cottage with garage (1,616 s.f.)
  • 2 bedroom/2 bath apartment (787-1,072 s.f.)
  • 1 bedroom/1 bath apartment (592-794 s.f.)
  • Studio bed/1 bath apartment (411-603 s.f.)
  • Private Studio Suite – Studio bed/1 bath (377-399 s.f.)
  • Tribute Studio Suite – Studio bed/1 bath (374-469 s.f.)
  • Tribute Adjoining Studios – Studio bed /1bath (374 s.f.)
  • Adjoining Studios-Lynnwood – Studio bed/1 bath (352-420 s.f.)

For diagrams of the different layouts and to match each floor plan with the four lifestyles (assisted living, enhanced assisted living, independent living, and memory care), please see the website, http://www.livingcarelifestyles.com/quail-park-lynnwood.

So, it was a privilege to perform for the residents in their beautiful auditorium on 12 November, one day after Veterans Day. In my VFW uniform, I performed my one-hour trumpet show, “I Stand for the Flag.” As usual, I used my five horns to play about two dozen patriotic marches, songs, and bugle calls. I love to match each instrument—trumpet, cornet, flugelhorn, bugle, and pocket trumpet—to the character and mood of each different piece.

This is my second performance at Quail Park. The first was on 22 December 2019, before the Covid pandemic. I presented my Christmas show, entitled “Things Remembered.” In addition to these two, I have four other different shows. I look forward to returning in 2025, God willing. Merry Christmas and Happy New Year!

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Third Performance at The Gardens at Town Square, Bellevue

Posted by glennled on December 13, 2024

Courtesy of The Gardens at Town Square, Bellevue

Veterans Day, 11 November 2024, found me in Bellevue for my third performance at The Gardens at Town Square retirement community. That afternoon, I presented my one-hour trumpet show, “I Stand for the Flag” to a large, generous audience.

Actually, I have two versions of this show. In 2021, after the Covid Pandemic peaked, I performed the “talk version.” In this show, I not only play patriotic marches, songs, and bugle calls, but also, I talk about veterans’ current well-being, concerns, and activities. But this year, I performed the “standard version”–about two dozen pieces of music with a bit of talk to introduce each piece. The audience sings along as I play my five horns: Getzen Eterna Severinsen trumpet, Super Olds cornet, Austin Custom Brass (ACB) flugelhorn, Getzen bugle, and Jupiter pocket trumpet.

We had such a great time that I look forward to returning sometime in 2025, God willing. I have six different trumpet shows, so there’s plenty to choose from. Merry Christmas and Happy New Year!

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“Echo Taps” in the Morning of Veterans Day at Veterans Park, Lynnwood

Posted by glennled on December 11, 2024

Photo by Julia Wiese, Lynnwood Today

The national tradition is to conduct the Veterans Day ceremony at 11 a.m. local time, worldwide, on the 11th day of the 11th month—formerly known as Armistice Day, WWI. Never forget, as succeeding generations were charged by Canadian Lieutenant-Colonel John McCrae in his elegant poem, “In Flanders Field.” And so this is done annually at Veterans Park in downtown Lynnwood.

This is the second time that I’ve sat in my walker at this location for sounding the two bugle calls, ‘”Assembly” and “Echo Taps.” My lower back hurts, and when I stand to play, I’m a bit shaky. Also, I am challenged by the aligners that are in my mouth to straighten my teeth. (They should be removed by next Memorial Day.) Old age does its thing. So, when I sit, it sounds better. Judah Deuman sounded the “echo” part. He graduated from Lynnwood High School last spring. I used my Getzen field trumpet, and he used his trumpet.

Please click on any photo to enlarge it.

Photos by Julia Wiese, Lynnwood Today:

Other photos:

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Sixth Trumpet Show Performance at Fairwinds, Brighton Court, Lynnwood

Posted by glennled on December 10, 2024

Lobby, courtesy of Fairwinds, Brighton Court, Lynnwood

Veterans Day generated three gigs for me, and the first one was at Fairwinds, Brighton Court in Lynnwood on Saturday, 9 November 2024—two days before the actual Veterans Day (11 November). The other two performances will be covered in forthcoming blog posts.

I’ve now performed at 32 retirement communities, including many repeat appearances, throughout the Greater Seattle area. Fairwinds, Brighton Court is now the leader with six performances. My first trumpet show there was in 2018.

On this occasion, I appeared in my VFW uniform and presented my one-hour show, “I Stand for the Flag.” The audience was large and quite responsive. I used five horns: trumpet, cornet, flugelhorn, bugle, and pocket trumpet. The show consists of about two dozen patriotic marches, songs, and bugle calls. The audience sings along.

I look forward to returning for a seventh time in 2025, God willing. I offer six different shows, so next time could be entirely a different experience for the residents. Merry Christmas and Happy New Year!

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Annual “Sousa Bash” at Kenyon Hall in West Seattle

Posted by glennled on December 6, 2024

Audience heads for the concession stand (right background) during Intermission. Liz Dreisbach, band creator and director, stands in foreground.

On Sunday, 3 November (three days before John Philip Sousa’s 170th birthday), the Ballard Sedentary Sousa Band (BSSB) performed again in his honor at Kenyon Hall in West Seattle. As usual at this annual event, informally called the “Sousa Bash,” the hall was full of Sousa fans. Revered as “The March King,” Sousa composed 136 marches between 1873 and 1932, when he died.

The band performed 13 pieces, including a “Happy Birthday” song written especially for Sousa by Gary Pedersen. Nine of the marches were written by Sousa, and two others were by Henry Fillmore and Alex F. Lithgow. Sousa wrote the march, “El Captain,” in 1895 for an operetta of the same name. So, Ms. Dreisbach passed out the lyrics, written by Charles Klein, and the band and audience sang them together. One line is particularly fun to sing up-tempo—“Behold El Capitan–Gaze on his misanthropic stare, Notice his penetrating glare.”

Everyone recognizes Sousa’s “Semper Fidelis,” “Washington Post” and “Stars and Stripes Forever,” which the band performed. But the band also played his “King Cotton,” “Fairest of the Fair,” “The Belle of Chicago,” “The Thunderer,” and “Black Horse Troop.”

As I did last year, I played with the baritone section, using my Austin Custom Brass (ACB) flugelhorn (please see my post of 9 November 2023, using the Archives column on the left). For fun, each band member wears his/her own unique uniform.

For more information about the “Sousa Bash” and Kenyon Hall, see my post of 11 November 2023. Please click on any photo to enlarge it. I invite you to “Like” and “Comment” on this post by clicking on the links below.

Posted in Community Bands, John Philip Sousa | Tagged: , , , , , , , , , , | 2 Comments »