It was Independence Day, and I was returning to Mercer Island, where I lived for 30 years (1973-2003), to perform my one-hour trumpet show, “I Stand for the Flag,” at Island House MBK Senior Living, a retirement community. Moreover, I was returning to Island House itself, where I had sounded “Taps” six years ago in a ceremony on Memorial Day, 28 May 2018. It was good to be back!
It was a bright, warm day, so the staff, led by Jacqueline Lilly, Director of Wellness Programming, set things up in the courtyard, where I and many of the audience sat under large, dark green umbrellas. I wore my VFW Honor Guard uniform, and as usual, played five horns–Getzen trumpet and field trumpet (bugle), Olds Super Cornet, ACB flugelhorn, and Jupiter pocket trumpet. The show consists of two dozen patriotic marches, songs, and bugle calls.
For more information about Island House, please see https://www.mbkseniorliving.com/senior-living/wa/mercer-island/island-house/. It is located downtown and offers assisted living and short-term stays in studio, one-bedroom, and two-bedroom apartments. Photos courtesy of Island House, Mercer Island.
Almost every Flag Day (14 June), I get to perform my one-hour trumpet show, “I Stand for the Flag.” This year, I did so at a brand-new community, Cogir of Kirkland, located near Carillon Point. It opened last February, offering assisted living services.
Among the residents who attended was a couple celebrating their 55th wedding anniversary. He used to play trumpet, and she used to play the French horn.
My show consists of about two dozen patriotic marches, songs, and bugle calls. I use four horns: Getzen trumpet, Olds Super cornet, Getzen field trumpet (bugle), and Jupiter pocket trumpet. Residents sing-a-long with me on certain songs.
Cogir Senior Living operates nearly 70 facilities in 11 states. In Washington, it has 18, ranging from Spokane to Walla Walla to Vancouver to Everett to Bellevue. Collectively, Cogir’s services include independent living, assisted living, connections care, memory care, and respite care, but most facilities offer one or two of these five levels of care. Together, these communities are staffed with more than 3,700 skilled, compassionate team members (please see https//:cogirusa.com).
Outdoors at 9 a.m. on Saturday, 11 November, at VFW Eagleson Post 3063’s hall in Ballard, I sounded my first bugle call of the day, “Assembly.” It called to order their Flag Ceremony to dedicate the Post’s new flagpole. Two speeches followed, one by the Post Commander, Alyson Teeter, and the other by Harold Rodenberger, the Post’s legendary veteran. A plaque honoring Rodenberger was unveiled.
As the old, worn flag was lowered, I sounded “Retreat.” Then, as the new, crisp flag was raised, I sounded “To the Color.” Afterwards, the Post hosted an open house (please see https://vfwseattle.org/). Those were the first three of seven bugle calls that I sounded during the day, using my Getzen Field Trumpet (i.e., bugle).
Joseph Fitzgerald invited me to do this. He’s a good friend and a former student of mine (see my blog post of 17 November 2017 in the Archives in the left column). He is Captain of the Post’s Color Guard and a former Commander of Post 3063. By the way, the Post “willingly accepts for proper disposal all United States Flags that are no longer wanted or are worn and no longer fit for display.” The Post’s name honors Lt. James Mills Eagleson, Army, WWI, who died in 1919 (please see https://www.facebook.com/uwlibscimed/posts/696495093858841).
Veterans Park, Lynnwood
Pvt. Walter A. Deebach, WWI
At 11 a.m., I again sounded “Assembly,” calling to order the annual Veterans Day ceremony, hosted by VFW Post 1040 in the City’s Veterans Park in downtown Lynnwood. As the Post’s Bugler, I’ve been doing this since 2011. Performing several songs on his bagpipe was Kyle Gaul, Piper. To end the ceremony, Laurence Stusser and I sounded “Echo Taps.”
This post honors Walter A. Deebach, Sr. in its name. He was a WWI Army private who fought in France and Germany and suffered lung damage from mustard gas used by the Germans. He was the leader in founding Post 1040. Please see an article by his daughter at https://myedmondsnews.com/2014/11/looking-back-father-walter-deebach-wwi/. She writes that in 1943, he was appointed “Director of the VFW’s Rehabilitation and Service Department for the State of Washington, with his office in Seattle. For the next 25 years, until his retirement in 1968 at the age of 70, assisting veterans and/or their survivors was his work.”
Fairwinds, Brighton Court, Lynnwood
At 2 p.m., I opened my trumpet show with a march, “British Grenadiers,” that is more than 300 years old. This was my fifth performance at this retirement community. I have six one-hour trumpet shows, and when retirement communities celebrate the military, as on Memorial Day, Veterans Day, Flag Day, Armed Forces Day, and others, someone always invites me to perform “I Stand for the Flag.” It consists of 24 patriotic marches, songs, and bugle calls. I wear my VFW Post 1040 uniform.
The two bugle calls in this show are my favorites [besides “Taps”]–“Sunset” (British) and “Tattoo” (American). When I started the show, there were about 20 people in attendance. By the time it ended, the audience had doubled. I felt like “The Pied Piper.”
I got home about 4 p.m. It was a very satisfying Veterans Day. We owe so much to those who have served, do we not? As the saying goes, “If you eat your meals in peace, thank a Veteran. Freedom is not free.”
VFW Post 1040 Honor Guard at “Present Arms” position as “Echo Taps” is sounded
Michael Reagan, Fallen Heroes Project
The Wreaths Across America (WAA) ceremony in Seattle keeps improving, and as it does so, the audience size keeps growing. About 300 people attended the event on 14 December 2019 at Veterans Cemetery at Evergreen-Washelli, where there are 5,000 graves of service men and women, including 7 Medal of Honor recipients. This was the 10th annual ceremony wreath laying ceremony here. It’s a tribute to those buried here and elsewhere around the world.
Afterwards, audience members placed wreaths upon as many gravestones as there were wreaths. This year, “with the help of a new nonprofit foundation (Veterans Memorial Wreath Foundation), growing community awareness, and the generous support of our sponsors,” said Lorraine Zimmerman, president of VMWF, “we were able to place a record number of wreaths—over 1300! If anybody is interested in becoming involved and/or learning more about our foundation, just contact me or visit http://www.vmwf.org. Save the date for next year’s ceremony: Saturday, 19 December at 9 a.m.”
William (Bill) W. Wilson, former POW, Vietnam War, 1972-73
The VFW Post 1040 Honor Guard was honored once more to fire the rifle salute and sound the bugle calls during the ceremony. To open the event, I sounded the bugle call, “Assembly.” At the close, Lukas Breen of the U.S.Coast Guard and Bugles Across America joined me in sounding “Echo Taps.” We both used Getzen Field Trumpets (bugles).
Please use the Archives column (left) to read my articles about previous WAA ceremonies:
15 Jan 2019
29 Dec 2017
30 Dec 2016
5 Feb 2016
28 Apr 2015
9 Jan 2013
16 Dec 2011
All photos are courtesy of Tonya Christoffersen except one by Lila O’Leary (as captioned). Please click on any photo to enlarge it.
L to R: Lukas Breen, Glenn Ledbetter, Lorraine Zimmerman
Boots to Books and Beyond Monument, Edmonds Community College
For the seventh straight year, we gathered at the Black Box Theatre on the campus of Edmonds Community College (ECC) on 6 November for a ceremony to honor all the nation’s veterans on the holiday established for this special purpose–Veterans Day.
L to R: SSGT Ahmad Al Rawi, Chris Szarek and Fernando Moratalla
Dr. Amit Singh, ECC President, was present and spoke. So did Mayor Nicola Smith, City of Lynnwood. But the major speakers were Ahmad Al Rawi, and Fernando Moratalla because this year’s theme was to honor immigrant veterans. SSgt. Al Rawi told how he came from Iraq to the USA and became a Marine, now serving at the Navy Recruiting Station near Alderwood Mall in Lynnwood. Sgt. Moratalla, told how he came from Venezuela, became a Marine, and is now Senior Security Guard at ECC. Both sergeants were compelled to serve, and their stories were inspirational.
Dr. Peter Schmidt told the story behind the “Boots to Books and Beyond Monument” on the campus. This year is its 10th anniversary. A fascinating staff and faculty slideshow, compiled by Sgt. Moratalla and featuring “We Are the Champions” by Queen, was presented.
Chris Szarek, Director, Veterans Resource Center (VRC), ECC, U.S. Navy (Ret.) was emcee of the ceremony. I was again honored to sound “To the Color” on my Getzen bugle (aka field trumpet). Please use the Archives in the left column to see my blog article of 24 November 2017 about that ECC Veterans Day ceremony.
Please click on any photo to enlarge it. All photos except the main one featured above, are courtesy of VRC, ECC.
Sounding “Taps” sounds simple, doesn’t it? But it’s not. Just ask my 37th student who started with his first private lesson from me on 6 October 2017. He’s the captain of the Color Guard of VFW Post 3063 in Ballard in Seattle, and he wants to play “Taps” at various military memorials, ceremonies and funerals.
The B-flat bugle (without valves) can sound only harmonics, and “Taps” is comprised only four—G, C, and E on the staff and G above the staff. Moreover, there are only 24 notes in “Taps.” He signed up for five one-hour lessons. You might guess that that would be enough. Maybe so, if you’d played a brass instrument well in your youth. But if you didn’t, and you’re 76 years old? It’s not easy, my friend.
There are only a few beginning trumpet students in fifth grade who can hit that high G after 9 months of taking band classes at school. But of course, at that young age, band students don’t practice much at home, and their muscles are not yet fully developed.
So, since my man is determined to succeed and his wife is supportive, he can do it—if he is patient and practices regularly. First, he must gain control of the bugle. He must train his embouchure to hit, with consistent accuracy, the “sweet spots” in the slots for each of the four notes. He must learn to properly tongue those notes. Then, we’ll improve his tone and phrasing. He’ll learn how to breathe diaphragmatically and play with an open throat. When he sounds good in private at home, we’ll help him learn how to control his emotions when performing in public. He is my 38th private student and my first bugle-only student. Someday, he’ll master it.
Fortunately, he owns an outstanding bugle. That helps a lot. It’s the same one that I use–the Getzen Field Trumpet Model M2003E with B-flat and G tuning slides. I’ve mentioned it in numerous blog articles, and I featured it with photos at https://glennstrumpetnotes.com/2015/05/04/my-new-getzen-bugle-2-17-15/. You’ll find this model on the manufacturer’s website, http://www.getzen.com.
Getzen Field Trumpet, M2003E, with B-flat tuning slide
Getzen Bugle with 3C Mouthpiece and Carrying Case
On 17 February 2015, UPS delivered a carefully wrapped package from Getzen Company, Inc. of Elkhorn, Wisconsin directly to my front door. Instantly, I knew what was inside—my new Getzen Field Trumpet!—commonly known as a bugle. I played it publicly for the first time with the Honor Guard, VFW Post 1040, on the following Saturday at a graveside service at the IOOF Cemetery in Monroe, WA. It’s sonorous!
I bought model M2003E with a clear lacquer finish. It bears logos for Getzen and Bugles Across America (BAA) and a special etching on mine: John 15:13. As you know, that’s where Jesus says, “Greater love hath no man than this, that he lay down his life for his friends.”
The bell is one piece, hand-hammered yellow brass. Like all Getzens I’ve ever played, it blows easily, with minimal resistance, and the tone is solid and rich. I bought the extra G tuning slide, too. I plan to use the G tuning slide for “Taps” and “Funeral March” and the B-flat slide for most other bugle calls. The U.S. Army and Navy use at least 67 bugle calls.
In addition to being Post Bugler for VFW Post 1040, I am also a member of BAA, a national organization that furnishes live buglers for military funerals, memorials and ceremonies. The designation, “American Heritage Elite,” is given by Getzen to those field trumpets purchased by members of BAA. See http://www.buglesacrossamerica.org. For more about Getzen instruments, see http://www.getzen.com.