For awhile now, I’ve been wanting to perform one of my six trumpet shows at Mirabella, Seattle. My chance came this spring, thanks to Diana Rawls, Activities Director. On 11 April, I performed “Showtune Favorites”–about two dozen songs from popular musicals and movies familiar to the residents.
Why did I especially want to play there? Because it’s operated by a non-profit organization, occupies a whole city block in downtown Seattle, and is still quite new, opening for business only 15 years ago. I’m impressed!
I used four of my five horns–Getzen trumpet, Super Olds cornet, ACB flugelhorn, and Jupiter pocket trumpet (but not my Getzen bugle). I’ve owned the flugelhorn for only two and a half years, but the cornet for 71 years—Holy Cow! My parents gave it to me when I was a freshman in high school, and it took me to the Texas All-State Band when I was a senior. Love that horn! (Thanks again, Mother and Daddy, may they rest in peace.)
Besides At-Home Care, Mirabella, Seattle offers Independent Living, Assisted Living, Memory Care, and Skilled Nursing and Rehabilitation. Residents from all levels came to my performance. One couple among the audience has lived there since it originally opened!
Photos are courtesy of Mirabella, Seattle. Please click on any photo to enlarge it.
It’s always nice to be invited back, especially when you get to perform a different show (I have six). Seven months ago, I played “I Stand for the Flag,” a patriotic show, here at Cogir of Kirkland Senior Living (https://glennstrumpetnotes.com/?s=cogir). This time, on 13 March, it was a personal history show, “Where Were You, Back Then?” Here’s how it goes.
I’ve chosen 18 years between 1947 and 2008. Then I tell some significant events and situations that happened in each of those years. They remember those things, and I ask them to remember also what was going on in their own lives during that year. Sometimes, I sprinkle in some tales of my own, like when in 1967, I was single and an officer in the Navy, stationed near San Francisco, and I bought my yellow Camaro convertible–oh, boy! I hope these things trigger memories in their minds, too.
Next, I’ve chosen a song that was popular that year—perhaps from a musical or a movie or a hit that won a Grammy Award or Academy Award Oscar. I invite them to sing or hum along with me, as I play one of four horns: Getzen trumpet, Super Olds Cornet, ACB (Austin Custom Brass) flugelhorn, and Jupiter pocket trumpet. Sometimes, I use one of my mutes. For example, I especially enjoyed playing “That’s Amore” (1953) on my trumpet, “Dream a Little Dream of Me” (1968) on my cornet, “Some Days Are Diamonds” (1981) on my flugelhorn, and “Money, Money, Money” (2008) on my pocket trumpet.
As often happens, we started out with a crowd of size “X,” and as I played, more people came, and we ended up with all the chairs filled, including one up in the balcony! I recognized several people from my first performance there last August. And now I’m ready anytime to return for a third show!
I’ve performed at 32 different retirement communities in the Greater Seattle area, and Quail Park is unique in a good way. Of course, every community is unique, but I’m thinking of Quail Park’s private, hilltop location and its eight different floor plans:
2 bedroom/2 bath cottage with garage (1,616 s.f.)
2 bedroom/2 bath apartment (787-1,072 s.f.)
1 bedroom/1 bath apartment (592-794 s.f.)
Studio bed/1 bath apartment (411-603 s.f.)
Private Studio Suite – Studio bed/1 bath (377-399 s.f.)
Tribute Studio Suite – Studio bed/1 bath (374-469 s.f.)
Tribute Adjoining Studios – Studio bed /1bath (374 s.f.)
Adjoining Studios-Lynnwood – Studio bed/1 bath (352-420 s.f.)
For diagrams of the different layouts and to match each floor plan with the four lifestyles (assisted living, enhanced assisted living, independent living, and memory care), please see the website, http://www.livingcarelifestyles.com/quail-park-lynnwood.
So, it was a privilege to perform for the residents in their beautiful auditorium on 12 November, one day after Veterans Day. In my VFW uniform, I performed my one-hour trumpet show, “I Stand for the Flag.” As usual, I used my five horns to play about two dozen patriotic marches, songs, and bugle calls. I love to match each instrument—trumpet, cornet, flugelhorn, bugle, and pocket trumpet—to the character and mood of each different piece.
This is my second performance at Quail Park. The first was on 22 December 2019, before the Covid pandemic. I presented my Christmas show, entitled “Things Remembered.” In addition to these two, I have four other different shows. I look forward to returning in 2025, God willing. Merry Christmas and Happy New Year!
Veterans Day, 11 November 2024, found me in Bellevue for my third performance at The Gardens at Town Square retirement community. That afternoon, I presented my one-hour trumpet show, “I Stand for the Flag” to a large, generous audience.
Actually, I have two versions of this show. In 2021, after the Covid Pandemic peaked, I performed the “talk version.” In this show, I not only play patriotic marches, songs, and bugle calls, but also, I talk about veterans’ current well-being, concerns, and activities. But this year, I performed the “standard version”–about two dozen pieces of music with a bit of talk to introduce each piece. The audience sings along as I play my five horns: Getzen Eterna Severinsen trumpet, Super Olds cornet, Austin Custom Brass (ACB) flugelhorn, Getzen bugle, and Jupiter pocket trumpet.
We had such a great time that I look forward to returning sometime in 2025, God willing. I have six different trumpet shows, so there’s plenty to choose from. Merry Christmas and Happy New Year!
Lobby, courtesy of Fairwinds, Brighton Court, Lynnwood
Veterans Day generated three gigs for me, and the first one was at Fairwinds, Brighton Court in Lynnwood on Saturday, 9 November 2024—two days before the actual Veterans Day (11 November). The other two performances will be covered in forthcoming blog posts.
I’ve now performed at 32 retirement communities, including many repeat appearances, throughout the Greater Seattle area. Fairwinds, Brighton Court is now the leader with six performances. My first trumpet show there was in 2018.
On this occasion, I appeared in my VFW uniform and presented my one-hour show, “I Stand for the Flag.” The audience was large and quite responsive. I used five horns: trumpet, cornet, flugelhorn, bugle, and pocket trumpet. The show consists of about two dozen patriotic marches, songs, and bugle calls. The audience sings along.
I look forward to returning for a seventh time in 2025, God willing. I offer six different shows, so next time could be entirely a different experience for the residents. Merry Christmas and Happy New Year!
It was Independence Day, and I was returning to Mercer Island, where I lived for 30 years (1973-2003), to perform my one-hour trumpet show, “I Stand for the Flag,” at Island House MBK Senior Living, a retirement community. Moreover, I was returning to Island House itself, where I had sounded “Taps” six years ago in a ceremony on Memorial Day, 28 May 2018. It was good to be back!
It was a bright, warm day, so the staff, led by Jacqueline Lilly, Director of Wellness Programming, set things up in the courtyard, where I and many of the audience sat under large, dark green umbrellas. I wore my VFW Honor Guard uniform, and as usual, played five horns–Getzen trumpet and field trumpet (bugle), Olds Super Cornet, ACB flugelhorn, and Jupiter pocket trumpet. The show consists of two dozen patriotic marches, songs, and bugle calls.
For more information about Island House, please see https://www.mbkseniorliving.com/senior-living/wa/mercer-island/island-house/. It is located downtown and offers assisted living and short-term stays in studio, one-bedroom, and two-bedroom apartments. Photos courtesy of Island House, Mercer Island.
If it’s your birthday, where do you go? You go perform a one-hour trumpet show, “In Retrospect,” at Edmonds Landing in Edmonds, WA, because they invited you to do so! And that’s exactly what I did at 2 p.m. on 24 June. It was my third performance for the residents there, courtesy of Lifestyle Director, Sonia Pace.
For this show, I use four horns: Getzen trumpet, Olds Super cornet, ACB flugelhorn, and Jupiter pocket trumpet. I play about two dozen popular songs from the residents’ era. They were composed during the 84-year period from 1892 to 1976. As I play each song, I comment on it and relate it to something that we all experience at some time in our lives, including courtship, marriage, family, death, and national pride and loyalty. It’s a favorite of mine among my six different trumpet shows.
Edmonds Landing offers Independent Living and Assisted Living in 83 apartments on two floors in the “Edmonds Bowl.” It is part of the family of retirement communities operated by Frontier Senior Living (please see https:/www.frontiermgmt.com).
Photos courtesy of Edmonds Landing (except for poster).
Almost every Flag Day (14 June), I get to perform my one-hour trumpet show, “I Stand for the Flag.” This year, I did so at a brand-new community, Cogir of Kirkland, located near Carillon Point. It opened last February, offering assisted living services.
Among the residents who attended was a couple celebrating their 55th wedding anniversary. He used to play trumpet, and she used to play the French horn.
My show consists of about two dozen patriotic marches, songs, and bugle calls. I use four horns: Getzen trumpet, Olds Super cornet, Getzen field trumpet (bugle), and Jupiter pocket trumpet. Residents sing-a-long with me on certain songs.
Cogir Senior Living operates nearly 70 facilities in 11 states. In Washington, it has 18, ranging from Spokane to Walla Walla to Vancouver to Everett to Bellevue. Collectively, Cogir’s services include independent living, assisted living, connections care, memory care, and respite care, but most facilities offer one or two of these five levels of care. Together, these communities are staffed with more than 3,700 skilled, compassionate team members (please see https//:cogirusa.com).
“Things Remembered” is the name of one of my favorite one-hour trumpet shows. But that show is not the remembrance that still bothers me. Instead, it’s the memory of those five days, 16 to 20 December just before Christmas. On the 16th, I performed two bugle calls at the Wreaths Across America ceremony in Seattle, which I wrote about in my previous post here. And on the 20th, I performed my trumpet show, “Things Remembered,” at The Bellettini,” in downtown Bellevue. I struggled to play my horns on both days, and afterwards, I did not touch them again for the first four and a half months this year. What happened? Let me tell you.
Suddenly, a few days before the 16th, my buzz into the mouthpiece went bad. My lips would not respond to the air flow unless I blew quite hard. But you can’t play every note of every bugle call or song at “FF” volume. I’d blow, and at first, only air would hiss through the horn before a note would suddenly burst out. It was sort of like stammering or stuttering, when the words just won’t come out of a person’s throat for a few seconds, followed by a shout. I’d lost the ability to fade out down to “pp” and softer. I’d lost some control of dynamics and the ability to express certain emotions through the horn.
At first, I thought it was simply stiff lips that had lost their flexibility from not enough practicing. I thought I could overcome it if I warmed up for at least 20 minutes. But no amount of warming up would eliminate it. On the 16th, my “Assembly” didn’t sound normal. I struggled a bit with “Echo Taps,” too. It didn’t help that I had to stand and play without my cane, hunched over from lower back pain.
So, should I cancel my show at The Bellettini? I love The Bellettini, the staff, and the residents. They had invited me back for the fifth time to present a new show which they had not yet heard.
I couldn’t bear the thought of canceling, even if I wouldn’t sound normal. I had three more practice days to improve. If I didn’t sound better, would they forgive me? Or would they walk out and never invite me back again?
Yamaha Allen Vizzutti, Bach 1.5C, 3C, 8C, and Getzen 3C, 7C trumpet mouthpieces
No amount of practicing changed things. I reached a certain level, and nothing improved beyond that. Then I hit on another idea: what about changing mouthpieces? Up to now, I’d been using only my favorite, the Allen Vizzutti mouthpiece by Yamaha. So, I broke out my entire (but small) collection of six trumpet mouthpieces and tried each one. I got the best results with my Bach 1.5C. Eureka!
I arrived quite early, set up, and went into a side room to warm up for a half hour. Then I came out and did the show—not normal. But no one walked out. They were very tolerant and forgiving, and besides, they were enjoying themselves. After all, we’re all in the same age group–we could be classmates!
Afterwards, numerous residents came up to thank me and say how much they enjoyed the two dozen songs from our era–such great songs with which they could sing along!
And then, a tall man came up, thanked me, and said in a kind voice, “It’s hard to play when the buzz won’t work right, isn’t it?” He said he used to play saxophone and luckily, with a reed mouthpiece, that problem can’t happen.
“Yes,” I said. “But they liked the music and had a good time.”
He agreed sympathetically and complimented me for doing my best on an off day. Was that really all it was—just an off day? I worried that my playing days might be over entirely. I might never play again in public. I simply knew that I would never let myself play like that again.
But the experience of those five days begged the question: what caused this problem? It had never happened to me since I began playing in fifth grade.
I thought, “It must be my two front teeth”—my central incisors in the upper jaw. You see, for those readers who are young, your teeth can start to migrate in old age. Mine had been slowing creeping toward the middle of my mouth for several years, so much so that the left front tooth had actually slid outside and over the right one. It was overlapping and pushing itself outward against my upper lip, and it was probably also pushing the right tooth backwards toward my tongue.
Is this TMI–“Too Much Information?” Well, how else will you know what to do when this happens to you? Keep reading…
I developed a new theory. The crooked front teeth were diverting the air flow, ruining my buzz. So, last January, I went to see my orthodontist, Dr. Zachton Lowe in Shoreline. He advised plastic aligners by Invisalign instead of metal braces. He said it would take about sixteen months to straighten all my teeth.
“Can I play ‘Taps’ on Memorial Day?” I asked.
“Yes, I think so.”
And so, I did! The Bellettini taught me a huge lesson. Please read all about my Memorial Day performances in two blog posts which are soon to be posted in a few days–but first, I’ll post next about the music on our spring trip to Italy and Paris.
Outdoors at 9 a.m. on Saturday, 11 November, at VFW Eagleson Post 3063’s hall in Ballard, I sounded my first bugle call of the day, “Assembly.” It called to order their Flag Ceremony to dedicate the Post’s new flagpole. Two speeches followed, one by the Post Commander, Alyson Teeter, and the other by Harold Rodenberger, the Post’s legendary veteran. A plaque honoring Rodenberger was unveiled.
As the old, worn flag was lowered, I sounded “Retreat.” Then, as the new, crisp flag was raised, I sounded “To the Color.” Afterwards, the Post hosted an open house (please see https://vfwseattle.org/). Those were the first three of seven bugle calls that I sounded during the day, using my Getzen Field Trumpet (i.e., bugle).
Joseph Fitzgerald invited me to do this. He’s a good friend and a former student of mine (see my blog post of 17 November 2017 in the Archives in the left column). He is Captain of the Post’s Color Guard and a former Commander of Post 3063. By the way, the Post “willingly accepts for proper disposal all United States Flags that are no longer wanted or are worn and no longer fit for display.” The Post’s name honors Lt. James Mills Eagleson, Army, WWI, who died in 1919 (please see https://www.facebook.com/uwlibscimed/posts/696495093858841).
Veterans Park, Lynnwood
Pvt. Walter A. Deebach, WWI
At 11 a.m., I again sounded “Assembly,” calling to order the annual Veterans Day ceremony, hosted by VFW Post 1040 in the City’s Veterans Park in downtown Lynnwood. As the Post’s Bugler, I’ve been doing this since 2011. Performing several songs on his bagpipe was Kyle Gaul, Piper. To end the ceremony, Laurence Stusser and I sounded “Echo Taps.”
This post honors Walter A. Deebach, Sr. in its name. He was a WWI Army private who fought in France and Germany and suffered lung damage from mustard gas used by the Germans. He was the leader in founding Post 1040. Please see an article by his daughter at https://myedmondsnews.com/2014/11/looking-back-father-walter-deebach-wwi/. She writes that in 1943, he was appointed “Director of the VFW’s Rehabilitation and Service Department for the State of Washington, with his office in Seattle. For the next 25 years, until his retirement in 1968 at the age of 70, assisting veterans and/or their survivors was his work.”
Fairwinds, Brighton Court, Lynnwood
At 2 p.m., I opened my trumpet show with a march, “British Grenadiers,” that is more than 300 years old. This was my fifth performance at this retirement community. I have six one-hour trumpet shows, and when retirement communities celebrate the military, as on Memorial Day, Veterans Day, Flag Day, Armed Forces Day, and others, someone always invites me to perform “I Stand for the Flag.” It consists of 24 patriotic marches, songs, and bugle calls. I wear my VFW Post 1040 uniform.
The two bugle calls in this show are my favorites [besides “Taps”]–“Sunset” (British) and “Tattoo” (American). When I started the show, there were about 20 people in attendance. By the time it ended, the audience had doubled. I felt like “The Pied Piper.”
I got home about 4 p.m. It was a very satisfying Veterans Day. We owe so much to those who have served, do we not? As the saying goes, “If you eat your meals in peace, thank a Veteran. Freedom is not free.”
Glenn's Trumpet Notes 