Veterans Day, 11 November 2024, found me in Bellevue for my third performance at The Gardens at Town Square retirement community. That afternoon, I presented my one-hour trumpet show, “I Stand for the Flag” to a large, generous audience.
Actually, I have two versions of this show. In 2021, after the Covid Pandemic peaked, I performed the “talk version.” In this show, I not only play patriotic marches, songs, and bugle calls, but also, I talk about veterans’ current well-being, concerns, and activities. But this year, I performed the “standard version”–about two dozen pieces of music with a bit of talk to introduce each piece. The audience sings along as I play my five horns: Getzen Eterna Severinsen trumpet, Super Olds cornet, Austin Custom Brass (ACB) flugelhorn, Getzen bugle, and Jupiter pocket trumpet.
We had such a great time that I look forward to returning sometime in 2025, God willing. I have six different trumpet shows, so there’s plenty to choose from. Merry Christmas and Happy New Year!
Lobby, courtesy of Fairwinds, Brighton Court, Lynnwood
Veterans Day generated three gigs for me, and the first one was at Fairwinds, Brighton Court in Lynnwood on Saturday, 9 November 2024—two days before the actual Veterans Day (11 November). The other two performances will be covered in forthcoming blog posts.
I’ve now performed at 32 retirement communities, including many repeat appearances, throughout the Greater Seattle area. Fairwinds, Brighton Court is now the leader with six performances. My first trumpet show there was in 2018.
On this occasion, I appeared in my VFW uniform and presented my one-hour show, “I Stand for the Flag.” The audience was large and quite responsive. I used five horns: trumpet, cornet, flugelhorn, bugle, and pocket trumpet. The show consists of about two dozen patriotic marches, songs, and bugle calls. The audience sings along.
I look forward to returning for a seventh time in 2025, God willing. I offer six different shows, so next time could be entirely a different experience for the residents. Merry Christmas and Happy New Year!
It was Independence Day, and I was returning to Mercer Island, where I lived for 30 years (1973-2003), to perform my one-hour trumpet show, “I Stand for the Flag,” at Island House MBK Senior Living, a retirement community. Moreover, I was returning to Island House itself, where I had sounded “Taps” six years ago in a ceremony on Memorial Day, 28 May 2018. It was good to be back!
It was a bright, warm day, so the staff, led by Jacqueline Lilly, Director of Wellness Programming, set things up in the courtyard, where I and many of the audience sat under large, dark green umbrellas. I wore my VFW Honor Guard uniform, and as usual, played five horns–Getzen trumpet and field trumpet (bugle), Olds Super Cornet, ACB flugelhorn, and Jupiter pocket trumpet. The show consists of two dozen patriotic marches, songs, and bugle calls.
For more information about Island House, please see https://www.mbkseniorliving.com/senior-living/wa/mercer-island/island-house/. It is located downtown and offers assisted living and short-term stays in studio, one-bedroom, and two-bedroom apartments. Photos courtesy of Island House, Mercer Island.
“Things Remembered” is the name of one of my favorite one-hour trumpet shows. But that show is not the remembrance that still bothers me. Instead, it’s the memory of those five days, 16 to 20 December just before Christmas. On the 16th, I performed two bugle calls at the Wreaths Across America ceremony in Seattle, which I wrote about in my previous post here. And on the 20th, I performed my trumpet show, “Things Remembered,” at The Bellettini,” in downtown Bellevue. I struggled to play my horns on both days, and afterwards, I did not touch them again for the first four and a half months this year. What happened? Let me tell you.
Suddenly, a few days before the 16th, my buzz into the mouthpiece went bad. My lips would not respond to the air flow unless I blew quite hard. But you can’t play every note of every bugle call or song at “FF” volume. I’d blow, and at first, only air would hiss through the horn before a note would suddenly burst out. It was sort of like stammering or stuttering, when the words just won’t come out of a person’s throat for a few seconds, followed by a shout. I’d lost the ability to fade out down to “pp” and softer. I’d lost some control of dynamics and the ability to express certain emotions through the horn.
At first, I thought it was simply stiff lips that had lost their flexibility from not enough practicing. I thought I could overcome it if I warmed up for at least 20 minutes. But no amount of warming up would eliminate it. On the 16th, my “Assembly” didn’t sound normal. I struggled a bit with “Echo Taps,” too. It didn’t help that I had to stand and play without my cane, hunched over from lower back pain.
So, should I cancel my show at The Bellettini? I love The Bellettini, the staff, and the residents. They had invited me back for the fifth time to present a new show which they had not yet heard.
I couldn’t bear the thought of canceling, even if I wouldn’t sound normal. I had three more practice days to improve. If I didn’t sound better, would they forgive me? Or would they walk out and never invite me back again?
Yamaha Allen Vizzutti, Bach 1.5C, 3C, 8C, and Getzen 3C, 7C trumpet mouthpieces
No amount of practicing changed things. I reached a certain level, and nothing improved beyond that. Then I hit on another idea: what about changing mouthpieces? Up to now, I’d been using only my favorite, the Allen Vizzutti mouthpiece by Yamaha. So, I broke out my entire (but small) collection of six trumpet mouthpieces and tried each one. I got the best results with my Bach 1.5C. Eureka!
I arrived quite early, set up, and went into a side room to warm up for a half hour. Then I came out and did the show—not normal. But no one walked out. They were very tolerant and forgiving, and besides, they were enjoying themselves. After all, we’re all in the same age group–we could be classmates!
Afterwards, numerous residents came up to thank me and say how much they enjoyed the two dozen songs from our era–such great songs with which they could sing along!
And then, a tall man came up, thanked me, and said in a kind voice, “It’s hard to play when the buzz won’t work right, isn’t it?” He said he used to play saxophone and luckily, with a reed mouthpiece, that problem can’t happen.
“Yes,” I said. “But they liked the music and had a good time.”
He agreed sympathetically and complimented me for doing my best on an off day. Was that really all it was—just an off day? I worried that my playing days might be over entirely. I might never play again in public. I simply knew that I would never let myself play like that again.
But the experience of those five days begged the question: what caused this problem? It had never happened to me since I began playing in fifth grade.
I thought, “It must be my two front teeth”—my central incisors in the upper jaw. You see, for those readers who are young, your teeth can start to migrate in old age. Mine had been slowing creeping toward the middle of my mouth for several years, so much so that the left front tooth had actually slid outside and over the right one. It was overlapping and pushing itself outward against my upper lip, and it was probably also pushing the right tooth backwards toward my tongue.
Is this TMI–“Too Much Information?” Well, how else will you know what to do when this happens to you? Keep reading…
I developed a new theory. The crooked front teeth were diverting the air flow, ruining my buzz. So, last January, I went to see my orthodontist, Dr. Zachton Lowe in Shoreline. He advised plastic aligners by Invisalign instead of metal braces. He said it would take about sixteen months to straighten all my teeth.
“Can I play ‘Taps’ on Memorial Day?” I asked.
“Yes, I think so.”
And so, I did! The Bellettini taught me a huge lesson. Please read all about my Memorial Day performances in two blog posts which are soon to be posted in a few days–but first, I’ll post next about the music on our spring trip to Italy and Paris.
Glenn Ledbetter warms up his bugle while using practice mute to muffle sound
For the first time, I used a cane to walk to my position for sounding “Assembly” and “Echo Taps” once more on my Getzen bugle at this, the 15th Annual Ceremony called Wreaths Across America (WAA). “Assembly” silences the crowd and opens the event. “Echo Taps” signals its conclusion. Just like two years ago, Laurence Stusser played the “echo” part on his trumpet with me (please see my blog article of 31 December 2021).
The cane was necessary, of course, because of my continuing sciatica nerve pain in my lower back and down my leg. But that was not my only trouble at this performance.
Photo by Glenn Ledbetter
I noticed that I was suddenly having some trouble with articulation, slotting, and tone control. It puzzled me. Nothing like this had ever happened since I originally began playing my cornet in fifth grade! At this writing, however, in hindsight, I now know what was causing the problems. More in subsequent blog articles.
For more information about WAA and past ceremonies, simply use the Search box in the upper right column. Search keywords “Wreaths” and “Wreath-Laying” for different results. Also, check out https://www.wreathsacrossamerica.org and https://www.vfw1040.org.
All photos except two (as marked) are by Phil Onishi Photography. Please click on any photo to enlarge it.
Not only was this my first performance of my one-hour trumpet show [I have six different shows] at the Sunrise of Mercer Island retirement community, but also it was the first time I’ve ever been asked for my autograph! Ha, who am I?—Mickey Mantle? Joe Montana? Beethoven? Louis Armstrong? Nope. Just an ancient trumpet player, as old as dirt.
After I performed “I Stand for the Flag,” a lady in the front row handed me a pen and one of my handouts, so I happily signed it. Maybe I should have my survivors engrave that on my tombstone: “He signed one autograph.” Success!
Another elderly lady in a wheelchair rolled up to me and said, “I’m 100 years old, and that was the most beautiful music I’ve ever heard!”
Well, anyway, what a kick in the pants it was for me on the 248th birthday of the U.S. Marine Corps (10 November) and the day before Veterans Day 2023!
The resident capacity of this retirement community is only 48, and about 15 (~one third) attended my show. Two are Veterans, one Army and one Army Air Corps, WWII. And my goodness, did they all earnestly sing and hum along with me, as I played 24 patriotic marches, songs, and bugle calls. I used four horns, my Getzen trumpet and bugle, Super Olds cornet, and Austin Custom Brass (ACB) flugelhorn. They asked, so I explained the similarities and differences among them. At the end, we stood, said The Pledge of Allegiance, and rendered the “Star-Spangled Banner.”
Afterwards, they told the staff member who assisted me that they wanted me to come back for another show. What more could any old performer want—requests for both an autograph and a return performance? I’ll take that any day. “Play it again, Sam.”
This was my fifth performance at Fairwinds, Brighton Court (FBC) in Lynnwood–the most, so far, at any of the 29 retirements communities in the Greater Seattle area where I have presented at least one of my six trumpet shows!
Glenn Ledbetter plays “You’re a Grand Old Flag” on his Jupiter pocket trumpet.
The occasion, this time, was Flag Day, the 14th of June 2023. Flag Day commemorates the adoption on 14 June 1777, by resolution of the Second Continental Congress, of the USA flag. The idea of celebrating this event was born in 1885. For more information about Flag Day, please use the Archives column to the left to see my blog post of 16 July 2019.
At FBC, I performed my show, “I Stand for the Flag,” which consists of about two dozen patriotic marches, songs, and bugle calls. I used four instruments: my Getzen trumpet and bugle, Super Olds Cornet, and Jupiter pocket trumpet. With the trumpet, bugle and pocket trumpet, I used my Yamaha Allen Vizzutti mouthpiece, and with my cornet, I used to two mouthpieces, a Denis Wick 4 and Bach 8C.
The Holmes family was proud, among other many other things, that Loren Montgomery (“Monty”) Holmes was a veteran. They wanted a live bugler (not a taped recording) to sound “Taps” at his memorial service to be held in the chapel at Evergreen-Washelli Funeral Home in north Seattle on Sunday, 7 May.
Where can you find a good, live bugler? The funeral director, Stacie Sandritter, contacted VFW Post 1040 in Lynnwood for a referral. The call then passed to me, the Post Bugler. Eureka—networking works again!
As I listened to the pastor, family members, and friends pay tribute to Monty, I learned that he was a man of action and experience, with many interests and skills. He was indeed the patriarch of those who were close to him. They spoke in high praise of his great influence for good. Apparently, he was an open, friendly man with standards and a temper but also one with a good sense of humor who inspired others and did not hold a grudge. They spoke of his faith and love.
After graduating from Ballard High School, he played football for the semi-Pro team, “Seattle Ramblers,” and he served in the U.S. Army Reserve at Fort Lawton (now Discovery Park in the Magnolia neighborhood of Seattle). He was the original owner of Athletic Awards Co. in Seattle where it still stands today.
He was born 29 November 1929, and died on 8 April 2023–going on 94 years of age! He was interred on 9 May 2023 at Evergreen Memorial Park (see http://www.Washelli.com).
Inside the Chapel at the close of the memorial service, I used my Getzen bugle to sound “Taps” and afterwards, rendered the slow hand-salute for another comrade who has passed. It was the 231st time that I’ve been honored to do it.
My last post here was in last July, about 9-1/2 months ago. Why so long ago? For a whole variety of reasons, but let me name the Big Four:
Too busy/lazy in most of July 2022
Traveling from August to mid-October
Fracture in lower back, plus sciatica, on 1 December
Recovery/rehab from December to present
Last December, I was forced to cancel four trumpet shows at retirement communities in Seattle, Bellevue, Redmond, and La Conner, and neither could I sound “Echo Taps” at the annual Wreaths Across America ceremony at Veterans Cemetery at Evergreen-Washelli in Seattle, as I have done since 2011. For three months, I had to cancel all by trumpet lessons with my students.
And now, finally, after a total of almost five months, thank God, “I’m Back in the Saddle Again,” as Gene Autrey crooned in my youth. Proof? A bone-density test showed that I don’t have osteoporosis. Recent X-rays revealed that the fracture has healed. I don’t have to wear a back brace anymore. I still use the walker or cane often, for safety, but not always, as I had to for the first three months. I’m getting out-and-about more and more!
And the best proof of all is that on 21 April, I performed my one-hour trumpet show, “In Retrospect,” at Aljoya, Mercer Island, driving myself on the freeways, both to and fro. It consists of about two dozen hit songs from the residents’ era, and they get to sing (and hum) along! I used four of my five horns—trumpet, cornet, pocket trumpet, and flugelhorn, but not my bugle. It was my third appearance at Aljoya, M.I. They have now seen/heard two of my six shows. This was the first time I’ve been able to play my new flugelhorn in public. It was a Christmas gift from my wife. I used it for “In the Wee Small Hours of the Morning,” “Alfie,” and “St. James Infirmary Blues.”
Meanwhile, just for the record, here are the 17 articles that I could have written and posted during the past 9-1/2 months, if this or that had or had not happened:
2 July – “I Stand for the Flag” performed at The Bellettini in Bellevue
17 June 2022 – “Where Were You, Back Then?” at Merrill Gardens at Renton Centre
4 July – “I Stand for the Flag” at Aljoya, Thornton Place in North Seattle
5 August – Attended 71st Royal Edinburgh Military Tattoo in Edinburgh, Scotland (our fifth attendance)
30 September – Performed “Taps” for my high school classmate, Eddie Ray Hendrikson, USAF Veteran, at Coastal Bend State Veterans Cemetery in Texas
1 October – Performed abbreviated show for my classmates at our high school reunion in Texas
2 November – Performed “Echo Taps” with Laurence Stusser, trumpeter, as the “echo” at the dedication ceremony for the Gold Star Families Memorial Monument in Lynnwood
9 November – “I Stand for the Flag” at The Bellettini
10 November – “I Stand for the Flag” at University House, Wallingford in Seattle
11 November – Entire ceremony at Veterans Park cancelled by the City of Lynnwood; no “Echo Taps”
12 November – One of my trumpet students played “I Ain’t Worried” at Lessons In Your Home’s Fall Recital in Phinney Ridge in Seattle
14 November – “I Stand for the Flag” at Fairwinds, Brighton Court in Lynnwood
2, 5, 16, 17, & 22 December – the five cancellations mentioned above
So far this year, I’ve been very cautious about committing to my usual busy schedule of performances. Right now, I’m booked for only 8 more performances. But now that “I’m Back in the Saddle Again,” I’m ready for more!
By Angel Johnson of Aljoya, Mercer Island:
Singing “When I’m 64”
By Greg Asimakopoulos:
Flugelhorn, “In the Wee Small Hours of the Morning”
Every year when public demand peaks for a bugler/trumpeter, I’m happy to hop-skip-and-jump all over the Greater Seattle area to perform. This year, as usual, there were lots of opportunities surrounding Memorial Day. I sounded bugle calls at two venues and presented my one-hour trumpet show, “I Stand for the Flag” at three different retirement communities in four different cities:
26 May – Edmonds Community College (ECC) in Lynnwood – my sixth appearance
27 May – Skyline Towers in Seattle – second appearance
28 May – The Bellettini in Bellevue – first appearance
30 May – Veterans Park, Lynnwood – tenth appearance
30 May – Fairwinds Redmond – second appearance
At the ceremony at ECC, dressed in my VFW uniform, I sounded two bugle calls: “To the Color” inside the Black Box Theatre and “Taps” outside near the Boots to Books and Beyond monument. Native American Peter Ali improvised solos on two of his flutes twice during the ceremony.
At Skyline Towers retirement community in downtown Seattle, I performed my one-hour trumpet show, “I Stand for the Flag,” again in uniform. It is a collection of about two dozen patriotic marches, songs, and bugle calls. I did the same show at The Bellettini in downtown Bellevue and at Fairwinds Redmond.
But before performing in the afternoon in Redmond on Memorial Day, I also sounded three bugle calls in the morning at Veterans Park in Lynnwood: “Assembly,” “Echo Taps,” and “To the Color.” Lukas Breen sounded the echo part in “Echo Taps.” He is an Electrician’s Mate 2nd Class on active duty in the U.S. Coast Guard, stationed in Everett. We both play Getzen bugles. Other musicians were a piper and drummer from the Northwest Junior Pipe Band, playing “Scotland the Brave,” “The Rowan Tree,” “Battle’s O’er,” “Amazing Grace,” and “Going Home.”
For more information about these venues, please go to these websites:
Glenn's Trumpet Notes 