I’ve performed at 32 different retirement communities in the Greater Seattle area, and Quail Park is unique in a good way. Of course, every community is unique, but I’m thinking of Quail Park’s private, hilltop location and its eight different floor plans:
2 bedroom/2 bath cottage with garage (1,616 s.f.)
2 bedroom/2 bath apartment (787-1,072 s.f.)
1 bedroom/1 bath apartment (592-794 s.f.)
Studio bed/1 bath apartment (411-603 s.f.)
Private Studio Suite – Studio bed/1 bath (377-399 s.f.)
Tribute Studio Suite – Studio bed/1 bath (374-469 s.f.)
Tribute Adjoining Studios – Studio bed /1bath (374 s.f.)
Adjoining Studios-Lynnwood – Studio bed/1 bath (352-420 s.f.)
For diagrams of the different layouts and to match each floor plan with the four lifestyles (assisted living, enhanced assisted living, independent living, and memory care), please see the website, http://www.livingcarelifestyles.com/quail-park-lynnwood.
So, it was a privilege to perform for the residents in their beautiful auditorium on 12 November, one day after Veterans Day. In my VFW uniform, I performed my one-hour trumpet show, “I Stand for the Flag.” As usual, I used my five horns to play about two dozen patriotic marches, songs, and bugle calls. I love to match each instrument—trumpet, cornet, flugelhorn, bugle, and pocket trumpet—to the character and mood of each different piece.
This is my second performance at Quail Park. The first was on 22 December 2019, before the Covid pandemic. I presented my Christmas show, entitled “Things Remembered.” In addition to these two, I have four other different shows. I look forward to returning in 2025, God willing. Merry Christmas and Happy New Year!
Veterans Day, 11 November 2024, found me in Bellevue for my third performance at The Gardens at Town Square retirement community. That afternoon, I presented my one-hour trumpet show, “I Stand for the Flag” to a large, generous audience.
Actually, I have two versions of this show. In 2021, after the Covid Pandemic peaked, I performed the “talk version.” In this show, I not only play patriotic marches, songs, and bugle calls, but also, I talk about veterans’ current well-being, concerns, and activities. But this year, I performed the “standard version”–about two dozen pieces of music with a bit of talk to introduce each piece. The audience sings along as I play my five horns: Getzen Eterna Severinsen trumpet, Super Olds cornet, Austin Custom Brass (ACB) flugelhorn, Getzen bugle, and Jupiter pocket trumpet.
We had such a great time that I look forward to returning sometime in 2025, God willing. I have six different trumpet shows, so there’s plenty to choose from. Merry Christmas and Happy New Year!
The national tradition is to conduct the Veterans Day ceremony at 11 a.m. local time, worldwide, on the 11th day of the 11th month—formerly known as Armistice Day, WWI. Never forget, as succeeding generations were charged by Canadian Lieutenant-Colonel John McCrae in his elegant poem, “In Flanders Field.” And so this is done annually at Veterans Park in downtown Lynnwood.
This is the second time that I’ve sat in my walker at this location for sounding the two bugle calls, ‘”Assembly” and “Echo Taps.” My lower back hurts, and when I stand to play, I’m a bit shaky. Also, I am challenged by the aligners that are in my mouth to straighten my teeth. (They should be removed by next Memorial Day.) Old age does its thing. So, when I sit, it sounds better. Judah Deuman sounded the “echo” part. He graduated from Lynnwood High School last spring. I used my Getzen field trumpet, and he used his trumpet.
Please click on any photo to enlarge it.
Photos by Julia Wiese, Lynnwood Today:
Boy Scouts Troop 49Glenn Ledbetter, VFW 1040 BuglerVFW Post 1040 Honor Guard (L) and Legion of Honor, Nile Shrine Center (R)
Lobby, courtesy of Fairwinds, Brighton Court, Lynnwood
Veterans Day generated three gigs for me, and the first one was at Fairwinds, Brighton Court in Lynnwood on Saturday, 9 November 2024—two days before the actual Veterans Day (11 November). The other two performances will be covered in forthcoming blog posts.
I’ve now performed at 32 retirement communities, including many repeat appearances, throughout the Greater Seattle area. Fairwinds, Brighton Court is now the leader with six performances. My first trumpet show there was in 2018.
On this occasion, I appeared in my VFW uniform and presented my one-hour show, “I Stand for the Flag.” The audience was large and quite responsive. I used five horns: trumpet, cornet, flugelhorn, bugle, and pocket trumpet. The show consists of about two dozen patriotic marches, songs, and bugle calls. The audience sings along.
I look forward to returning for a seventh time in 2025, God willing. I offer six different shows, so next time could be entirely a different experience for the residents. Merry Christmas and Happy New Year!
On Wednesday, 24 July, I heard Bria Skonberg and her band at Jazz Alley in Seattle. Nobody plays trumpet like Bria. And she also composes, arranges, and sings.
For about three years, I’ve watched her videos and followed her on Facebook, and as she posted about playing everywhere else but here, mostly on the East Coast and New Orleans, I would comment, “When are you coming to Jazz Alley in Seattle?”
She always replied, “We’re working on it,” until one time she said, “Check the July 2024 schedule.”
Sure enough, she was booked for 23-24 July! So, on the last night, I went and sat in the balcony at table 430. Had a nice side view. After the show, I spoke with her briefly. She wants to come back.
Later, I also spoke to the general manager. “I’ve come here to see Pancho Sanchez, Arturo Sandoval, and Chris Botti. I like her best of all.”
“She belongs with them,” he said.
“She’s so versatile and expressive!” I said. “She talks through the horn. She may not have the range and power of some other trumpeters, but she beats them all in expression. I hope you’ll bring her back.”
“We will!” he said, and we shook hands.
The New York Times wrote, “Ms. Skonberg has become the shining hope of hot jazz, on the strength of a clarion trumpet style indebted to Louis Armstrong, a smooth purr of a singing voice inspired by Anita O’Day.” Coming from British Columbia and now living in New York, she was described in The Wall Street Journal as “one of the most versatile and imposing musicians of her generation.” Her signature composition is “So Is the Day,” with which she closed the show.
Jazz Alley wrote, “Bria has recorded on over 25 albums, has garnered over 13 million streams online and over 85,000 social media followers…She tours constantly, bringing her own signature sounds of fiery trumpet playing, smoky vocals and storytelling together with adventurous concoctions of classic and new.” She’s a Juno Award winner (2017), among other awards. Her 2024 release, What It Means, “tells stories of life lessons that range from upbeat to down-to-earth to emotionally deep, all the while exhibiting both her mastery of the trumpet and her soulful and undeniably connective voice.”
Her parents were in the crowd on that last night. They know—nobody plays the horn like Bria.
It was Independence Day, and I was returning to Mercer Island, where I lived for 30 years (1973-2003), to perform my one-hour trumpet show, “I Stand for the Flag,” at Island House MBK Senior Living, a retirement community. Moreover, I was returning to Island House itself, where I had sounded “Taps” six years ago in a ceremony on Memorial Day, 28 May 2018. It was good to be back!
It was a bright, warm day, so the staff, led by Jacqueline Lilly, Director of Wellness Programming, set things up in the courtyard, where I and many of the audience sat under large, dark green umbrellas. I wore my VFW Honor Guard uniform, and as usual, played five horns–Getzen trumpet and field trumpet (bugle), Olds Super Cornet, ACB flugelhorn, and Jupiter pocket trumpet. The show consists of two dozen patriotic marches, songs, and bugle calls.
For more information about Island House, please see https://www.mbkseniorliving.com/senior-living/wa/mercer-island/island-house/. It is located downtown and offers assisted living and short-term stays in studio, one-bedroom, and two-bedroom apartments. Photos courtesy of Island House, Mercer Island.
If it’s your birthday, where do you go? You go perform a one-hour trumpet show, “In Retrospect,” at Edmonds Landing in Edmonds, WA, because they invited you to do so! And that’s exactly what I did at 2 p.m. on 24 June. It was my third performance for the residents there, courtesy of Lifestyle Director, Sonia Pace.
For this show, I use four horns: Getzen trumpet, Olds Super cornet, ACB flugelhorn, and Jupiter pocket trumpet. I play about two dozen popular songs from the residents’ era. They were composed during the 84-year period from 1892 to 1976. As I play each song, I comment on it and relate it to something that we all experience at some time in our lives, including courtship, marriage, family, death, and national pride and loyalty. It’s a favorite of mine among my six different trumpet shows.
Edmonds Landing offers Independent Living and Assisted Living in 83 apartments on two floors in the “Edmonds Bowl.” It is part of the family of retirement communities operated by Frontier Senior Living (please see https:/www.frontiermgmt.com).
Photos courtesy of Edmonds Landing (except for poster).
Almost every Flag Day (14 June), I get to perform my one-hour trumpet show, “I Stand for the Flag.” This year, I did so at a brand-new community, Cogir of Kirkland, located near Carillon Point. It opened last February, offering assisted living services.
Among the residents who attended was a couple celebrating their 55th wedding anniversary. He used to play trumpet, and she used to play the French horn.
My show consists of about two dozen patriotic marches, songs, and bugle calls. I use four horns: Getzen trumpet, Olds Super cornet, Getzen field trumpet (bugle), and Jupiter pocket trumpet. Residents sing-a-long with me on certain songs.
Cogir Senior Living operates nearly 70 facilities in 11 states. In Washington, it has 18, ranging from Spokane to Walla Walla to Vancouver to Everett to Bellevue. Collectively, Cogir’s services include independent living, assisted living, connections care, memory care, and respite care, but most facilities offer one or two of these five levels of care. Together, these communities are staffed with more than 3,700 skilled, compassionate team members (please see https//:cogirusa.com).
“Things Remembered” is the name of one of my favorite one-hour trumpet shows. But that show is not the remembrance that still bothers me. Instead, it’s the memory of those five days, 16 to 20 December just before Christmas. On the 16th, I performed two bugle calls at the Wreaths Across America ceremony in Seattle, which I wrote about in my previous post here. And on the 20th, I performed my trumpet show, “Things Remembered,” at The Bellettini,” in downtown Bellevue. I struggled to play my horns on both days, and afterwards, I did not touch them again for the first four and a half months this year. What happened? Let me tell you.
Suddenly, a few days before the 16th, my buzz into the mouthpiece went bad. My lips would not respond to the air flow unless I blew quite hard. But you can’t play every note of every bugle call or song at “FF” volume. I’d blow, and at first, only air would hiss through the horn before a note would suddenly burst out. It was sort of like stammering or stuttering, when the words just won’t come out of a person’s throat for a few seconds, followed by a shout. I’d lost the ability to fade out down to “pp” and softer. I’d lost some control of dynamics and the ability to express certain emotions through the horn.
At first, I thought it was simply stiff lips that had lost their flexibility from not enough practicing. I thought I could overcome it if I warmed up for at least 20 minutes. But no amount of warming up would eliminate it. On the 16th, my “Assembly” didn’t sound normal. I struggled a bit with “Echo Taps,” too. It didn’t help that I had to stand and play without my cane, hunched over from lower back pain.
So, should I cancel my show at The Bellettini? I love The Bellettini, the staff, and the residents. They had invited me back for the fifth time to present a new show which they had not yet heard.
I couldn’t bear the thought of canceling, even if I wouldn’t sound normal. I had three more practice days to improve. If I didn’t sound better, would they forgive me? Or would they walk out and never invite me back again?
Yamaha Allen Vizzutti, Bach 1.5C, 3C, 8C, and Getzen 3C, 7C trumpet mouthpieces
No amount of practicing changed things. I reached a certain level, and nothing improved beyond that. Then I hit on another idea: what about changing mouthpieces? Up to now, I’d been using only my favorite, the Allen Vizzutti mouthpiece by Yamaha. So, I broke out my entire (but small) collection of six trumpet mouthpieces and tried each one. I got the best results with my Bach 1.5C. Eureka!
I arrived quite early, set up, and went into a side room to warm up for a half hour. Then I came out and did the show—not normal. But no one walked out. They were very tolerant and forgiving, and besides, they were enjoying themselves. After all, we’re all in the same age group–we could be classmates!
Afterwards, numerous residents came up to thank me and say how much they enjoyed the two dozen songs from our era–such great songs with which they could sing along!
And then, a tall man came up, thanked me, and said in a kind voice, “It’s hard to play when the buzz won’t work right, isn’t it?” He said he used to play saxophone and luckily, with a reed mouthpiece, that problem can’t happen.
“Yes,” I said. “But they liked the music and had a good time.”
He agreed sympathetically and complimented me for doing my best on an off day. Was that really all it was—just an off day? I worried that my playing days might be over entirely. I might never play again in public. I simply knew that I would never let myself play like that again.
But the experience of those five days begged the question: what caused this problem? It had never happened to me since I began playing in fifth grade.
I thought, “It must be my two front teeth”—my central incisors in the upper jaw. You see, for those readers who are young, your teeth can start to migrate in old age. Mine had been slowing creeping toward the middle of my mouth for several years, so much so that the left front tooth had actually slid outside and over the right one. It was overlapping and pushing itself outward against my upper lip, and it was probably also pushing the right tooth backwards toward my tongue.
Is this TMI–“Too Much Information?” Well, how else will you know what to do when this happens to you? Keep reading…
I developed a new theory. The crooked front teeth were diverting the air flow, ruining my buzz. So, last January, I went to see my orthodontist, Dr. Zachton Lowe in Shoreline. He advised plastic aligners by Invisalign instead of metal braces. He said it would take about sixteen months to straighten all my teeth.
“Can I play ‘Taps’ on Memorial Day?” I asked.
“Yes, I think so.”
And so, I did! The Bellettini taught me a huge lesson. Please read all about my Memorial Day performances in two blog posts which are soon to be posted in a few days–but first, I’ll post next about the music on our spring trip to Italy and Paris.
Glenn Ledbetter warms up his bugle while using practice mute to muffle sound
For the first time, I used a cane to walk to my position for sounding “Assembly” and “Echo Taps” once more on my Getzen bugle at this, the 15th Annual Ceremony called Wreaths Across America (WAA). “Assembly” silences the crowd and opens the event. “Echo Taps” signals its conclusion. Just like two years ago, Laurence Stusser played the “echo” part on his trumpet with me (please see my blog article of 31 December 2021).
The cane was necessary, of course, because of my continuing sciatica nerve pain in my lower back and down my leg. But that was not my only trouble at this performance.
Photo by Glenn Ledbetter
I noticed that I was suddenly having some trouble with articulation, slotting, and tone control. It puzzled me. Nothing like this had ever happened since I originally began playing my cornet in fifth grade! At this writing, however, in hindsight, I now know what was causing the problems. More in subsequent blog articles.
For more information about WAA and past ceremonies, simply use the Search box in the upper right column. Search keywords “Wreaths” and “Wreath-Laying” for different results. Also, check out https://www.wreathsacrossamerica.org and https://www.vfw1040.org.
All photos except two (as marked) are by Phil Onishi Photography. Please click on any photo to enlarge it.
Glenn's Trumpet Notes 