Glenn’s Trumpet Notes

You’re a 67-year old law professor at the University of San Diego (USD) with a 56-year old trumpet sitting in your closet. Your parents bought it new for you when you were in about 5^th grade in St. Louis. You played it until the 9^th grade. After graduating from Yale, you earned a J.D. degree from the University of Texas School of Law, taught a law course in Miami, took a job teaching law at Southern Illinois University (SIU) in Carbondale, IL, got married, and had a family. It’s there at SIU that you held tenure. Later, your son played your trumpet for a few years before he specialized in piano and sports and gave the trumpet back to you. And there it sat in the house while you taught law for 34 years. Then, in 2011, USD offered both you and your wife positions on the law school faculty. You’re now in your 40^th year of teaching up to 7 different law courses. You’ve been a Visiting Professor at a dozen university law schools, including Seattle University in the summer of 2012. At USD, you are now the J. Lawrence Irving Distinguished Senior Teaching Fellow and Professor-in-Residence. (Please see http://www.sandiego.edu/law/faculty/profiles/bio.php?ID=638). And you took your trumpet with you to San Diego and kept it there until you brought it with you to Seattle in July this year.

Prof. Mark Lee, School of Law, University of San Diego

In all those years, you had periodic yearnings to play trumpet again. When you both decided to rent a house and vacation for a few weeks this summer in Seattle—where your son, wife and baby daughter live—she suggested that while you’re here, you do something you’ve always wanted to do but never did. You chose to bring along your trumpet and re-learn how to play it. So you found me on the internet, and we had our first private lesson at a studio in the Ted Brown Music store in the University District on 7 July.

I’ve asked Prof. Mark R. Lee why he chose trumpet when he was a kid. He says he’s always loved the trumpet’s pure, crystal-clear notes. They sometimes give him chilblains, he says, a cold feeling running up and down his spine, as if he’d been exposed for hours to cold but non-freezing weather. For him, the “Triumphal March” in Verdi’s opera, Aida, can produce that feeling.

He says he’s now taking lessons and practicing his trumpet simply for his own pleasure and enjoyment. He is a competitive person and generally likes to perform at the highest level he is capable of, but as for trumpet, he has no ambition or plans to play in an orchestra or band. If he did, he would prefer to play classical music, but he also loves marches and musicals. He’d love to play The Music Man, and to his surprise, he’s come to enjoy opera.

His trumpet is a Penn stencil horn. In other words, it’s a medium-to-high-quality horn made by an undisclosed trumpet manufacturer and engraved “Penn” on the bell. He says his parents paid $300 for it—quite an expense for them at that time, about 1959. He let me play it, and I was surprised at how free and open it is—little resistance and a solid tone with smooth valve action.

My 29^th trumpet student and his wife return to San Diego in early August. Any time they come back to Seattle for a few weeks to see that granddaughter, I hope we will go for another round of lessons. Learning is fun, right, Professor?

Prof. Lee’s Penn stencil trumpet is shown below. Please click on a photo to enlarge it.

Penn stencil trumpet