Of the 67 bugle calls published by Carl Fischer, I have sounded six in public, plus “Echo Taps.” But until the morning of Saturday, 12 July 2025, at a memorial service, I had never had the opportunity to perform “Church Call.” The service was for Merlin D. Staatz at Open Door Baptist Church in Lynnwood (https://opendoorbaptist.com/). My “Church Call” opened the service, and my “Taps” helped close it.
In the afternoon, I sounded “Taps” for Gerald “Jerry” L. Seldon, Sr. at Nile Shrine Center in Mountlake Terrace (https://nileshriners.org/). It was a Masonic service, the second one in which I’ve ever participated. Inscribed on the statue in front of the clubhouse is this: “A man never stands so tall as when he stoops to help a Child.”
Each ceremony attracted about 100 friends and relatives. They were honorable men who served our country and on whose shoulders we stand. Regrettably, I know nothing of Seldon’s military service. Staatz was born in 2026 and was 99 years old when he passed in June. According to the program, he “served in the Philippines during the last year of World War II, sleeping in foxholes and leading his unit as a scout as they tried to take back the island of Luzon, one hillside at a time. He was awarded a Purple Heart. A week after Japan surrendered, he was stationed near Tokyo.”
At each of these two events, the flag presentation ceremony was performed by the Color Guard of the Shoreline unit of the U.S. Volunteers-Joint Service Command (USV-JSC) (https://www.usvjsc.org/). With these two, my “Taps” performances now total 245. I use my Getzen bugle.
L to R: Bugle, Pocket Trumpet, Flugelhorn, Trumpet, and Cornet
On this Independence Day, I finally got to perform one of my six trumpet shows at La Conner Retirement Inn. In 2022, I was scheduled to perform “I Stand for the Flag,” on Flag Day in June, but Covid struck in March, and we cancelled that show. Then the Activities Director, Allie Kester, booked me for a Christmas show, and we had to cancel that one, too. This year, we hit paydirt. On 4 July, I performed “I Stand for the Flag” for the residents during their Friday afternoon Happy Hour.
The Inn offers both Independent and Assisted Living accommodations and services. Allie proudly told me that they have three residents who are 100 or more years. The oldest one to attend my show is 98, and I dedicated “You’re a Grand Old Flag” to her. She and others liked to sing along to some of my patriotic songs and marches. The audience voluntarily stood while they sang “God Bless America,” and stayed standing while we said the “Pledge of Allegiance” and closed with “The Star-Spangled Banner.” It was an extra-special performance for me because my youngest son from Las Vegas happened to be visiting in nearby Oak Harbor and came to hear me play for the first time. He helped with the handouts and reloading my car. We shared dinner afterwards.
I used all five instruments and used my flugelhorn mute once. The bugle and trumpet are Getzens, the pocket trumpet is a Jupiter, the flugelhorn is by ACB (Austin Custom Brass), and the cornet is a Super Olds, given to me by my parents when I became a freshman in high school in 1954. This show features about two dozen patriotic marches, songs, and bugle calls.
On Saturday, 24 May 2025, I traveled to Renton to perform my one-hour trumpet show, “I Stand for the Flag,” for the first time at Solstice Senior Living (please see https://solsticeseniorlivingrenton.com/). It is a Provincial Senior Living Community, headquartered in Arlington, Texas. They operate about 70 retirement communities across the country. Others in Washington state include Bellingham, Normandy Park, Point Defiance (Tacoma), and Kennewick. At Renton, Independent Living is offered, with the support of health care professionals, when needed.
I entertained the residents with about a dozen patriotic marches, songs, and bugle calls. They sang along with me and laughed at my jokes. I used all five of my horns: trumpet, pocket trumpet, cornet, bugle, and flugelhorn.
For awhile now, I’ve been wanting to perform one of my six trumpet shows at Mirabella, Seattle. My chance came this spring, thanks to Diana Rawls, Activities Director. On 11 April, I performed “Showtune Favorites”–about two dozen songs from popular musicals and movies familiar to the residents.
Why did I especially want to play there? Because it’s operated by a non-profit organization, occupies a whole city block in downtown Seattle, and is still quite new, opening for business only 15 years ago. I’m impressed!
I used four of my five horns–Getzen trumpet, Super Olds cornet, ACB flugelhorn, and Jupiter pocket trumpet (but not my Getzen bugle). I’ve owned the flugelhorn for only two and a half years, but the cornet for 71 years—Holy Cow! My parents gave it to me when I was a freshman in high school, and it took me to the Texas All-State Band when I was a senior. Love that horn! (Thanks again, Mother and Daddy, may they rest in peace.)
Besides At-Home Care, Mirabella, Seattle offers Independent Living, Assisted Living, Memory Care, and Skilled Nursing and Rehabilitation. Residents from all levels came to my performance. One couple among the audience has lived there since it originally opened!
Photos are courtesy of Mirabella, Seattle. Please click on any photo to enlarge it.
U.S. Navy Wreath (photo by Phil Onishi)Photo by Glenn LedbetterPeople voluntarily lay the wreaths (photo by Phil Onishi)
Despite the high, cold wind at 9 a.m. on Saturday, 14 December 2024, the participants and crowd gathered at the Doughboy statue in Veterans Memorial Cemetery at Evergreen-Washelli in north Seattle for the 16th annual Wreaths Across America (WAA) ceremony. The wind chill was so bad that the emcee, Lorraine Zimmerman, cut her own speech from the program. She is President and Executive Director of the Veterans Memorial Wreaths Foundation (WMWF—please see http://www.vmwf.org).
The croud gathers
My bugle call, “Assembly,” called the ceremony to order. The first major event, as always, was the placement of flags upon the 8 ceremonial wreaths by representatives of the Army, Marine Corps, Navy, Air Force, Space Force, Coast Guard, Merchant Marines and POWs/MIAs. (Read more about the POW/MIA representative below.) Then the Honor Guard of VFW Post 1040 of Lynnwood fired a 21-gun salute (3 volleys).
Lorraine Zimmerman presides as emcee
The ceremony concluded with “Echo Taps.” I sounded the lead part and James D. (Jim) Kellett, Army Musician CWO2, did the “echo.” I used my Getzen field trumpet (bugle), and he used his Super Olds trumpet. [Recall that I own a Super Olds cornet.] He is a member of the VFW 1040 Honor Guard and regularly sounds “Taps” with the Rifle Team at funeral services for veterans at numerous cemeteries throughout the area.
The second main event is the placement of wreaths against selected headstones among the more than 5,000 graves of veterans within Evergreen-Washelli. Seven Medal of Honor recipients are buried there. Zimmerman asked the wreath-laying volunteers to read aloud the names on the headstones as they placed the wreaths and thank them for their service—they are not forgotten.
Similar ceremonies are being held this year at the same local time in more than 4,500 participating locations in all 50 states, at sea, and abroad. More than two million volunteers and supporters are involved (please see http://www.wreathsacrossamerica.org).
Flag placement on POW/MIA Wreath
Capt. Wilson, Cadet Mugo, and Lorraine Zimmerman
When the time came, Zimmerman called the POW/MIA representative to the podium to receive the flag that he would place on the POW/MIA wreath. As he stood before her, she read a brief description of his POW experience.
““Captain William W. Wilson, U.S. Air Force, is assisted by Cadet Martin Mugo, UW USAF ROTC.
“Captain Wilson, former prisoner during the Vietnam War, made 33 missions over North Vietnam and Laos, flying an F-111 Aardvark before being shot down while bombing the Red River docks in downtown Hanoi on 22 December 1972. He evaded capture for a week, was nearly rescued by a Super Jolly Green helicopter, and then was captured by the North Vietnamese on 29 December. He spent a month in the ‘Heartbreak’ section of the ‘Hanoi Hilton’ [Hoa Lo Prison, loosely meaning ‘hell’s hole’ or ‘fiery furnace’] before being moved to the ‘Zoo’ [facility near the village of Cu Loc].
“He returned to U.S. control on the last C-141A Starlifter out of Hanoi on 29 March 1973 during Operation Homecoming.
“Bill will now place a flag in honor of the more than 83,000 United States servicemen and women from all branches of the service whose last known status was either Prisoner of War or Missing in Action. These individuals have never returned to their families and homes. We will not forget you.”
After he placed the flag and rendered a slow hand salute, he turned and walked slowly back across the grass toward the crowd. From a distance, I rendered a hand salute to him, and as he stepped onto the paved road, the crowd broke into warm applause. Zimmerman later told me, “I was so proud when the crowd honored him so spontaneously.” Indeed, it was the highlight of this year’s ceremony. Please see the photos (below, by Phil Onishi) of Captain Wilson and Cadet Mugo.
Embouchure Troubles Are Subsiding Nicely
Glenn Ledbetter warms up his bugle by sounding “Assembly” with a practice mute that deadens the sound
It was one year ago that I developed severe embouchure troubles for the first time in my life. Old age brought crooked teeth, to the point that my left front tooth had crossed over the right one just enough to disrupt the air flow into the mouthpiece of my horns. The problem flared up suddenly, right before last year’s WAA ceremony. I first alluded to it in my blog post of 10 June 2024, about the previous WAA ceremony. Then I wrote about it in more detail in my post of 12 June about my performance at The Bellettini retirement community in Bellevue. (Please use the Archives in the left column to find these articles, if you wish).
I had to go to the orthodontist for the solution: not braces, but Invisaligners (see http://www.invisalign.com). I wear them constantly, daily, except when eating. They have been gradually straightening my teeth since last February. Next spring, my teeth should be completely straight with the proper overbite—Oh, Happy Day!
But last May, after only four months, my teeth had straightened sufficiently that I was able to start performing again. My first public appearances were on Memorial Day when I performed at the ceremonies at Veterans Park in Lynnwood and in T-Mobile Park at the Seattle Mariners baseball game before a crowd of 24,000. Since then, on a reduced schedule, I have performed my one-hour trumpet shows at several retirement communities in the Greater Seattle area (scroll down this page). I’ll resume normal scheduling in 2025.
Photos Credits and Donations, Likes and Comments
Please click on any photo to enlarge it. All photos (except the one by me) are by Phil Onishi (please see https://philonishiphotography.smugmug.com). Mr. Onishi, long-time Band Director at Lynnwood High School, sang the National Anthem.
Donations are welcomed by both WAA and WMWF. I invite you to “Like” and “Comment” by clicking on the links below.
I’ve performed at 32 different retirement communities in the Greater Seattle area, and Quail Park is unique in a good way. Of course, every community is unique, but I’m thinking of Quail Park’s private, hilltop location and its eight different floor plans:
2 bedroom/2 bath cottage with garage (1,616 s.f.)
2 bedroom/2 bath apartment (787-1,072 s.f.)
1 bedroom/1 bath apartment (592-794 s.f.)
Studio bed/1 bath apartment (411-603 s.f.)
Private Studio Suite – Studio bed/1 bath (377-399 s.f.)
Tribute Studio Suite – Studio bed/1 bath (374-469 s.f.)
Tribute Adjoining Studios – Studio bed /1bath (374 s.f.)
Adjoining Studios-Lynnwood – Studio bed/1 bath (352-420 s.f.)
For diagrams of the different layouts and to match each floor plan with the four lifestyles (assisted living, enhanced assisted living, independent living, and memory care), please see the website, http://www.livingcarelifestyles.com/quail-park-lynnwood.
So, it was a privilege to perform for the residents in their beautiful auditorium on 12 November, one day after Veterans Day. In my VFW uniform, I performed my one-hour trumpet show, “I Stand for the Flag.” As usual, I used my five horns to play about two dozen patriotic marches, songs, and bugle calls. I love to match each instrument—trumpet, cornet, flugelhorn, bugle, and pocket trumpet—to the character and mood of each different piece.
This is my second performance at Quail Park. The first was on 22 December 2019, before the Covid pandemic. I presented my Christmas show, entitled “Things Remembered.” In addition to these two, I have four other different shows. I look forward to returning in 2025, God willing. Merry Christmas and Happy New Year!
Veterans Day, 11 November 2024, found me in Bellevue for my third performance at The Gardens at Town Square retirement community. That afternoon, I presented my one-hour trumpet show, “I Stand for the Flag” to a large, generous audience.
Actually, I have two versions of this show. In 2021, after the Covid Pandemic peaked, I performed the “talk version.” In this show, I not only play patriotic marches, songs, and bugle calls, but also, I talk about veterans’ current well-being, concerns, and activities. But this year, I performed the “standard version”–about two dozen pieces of music with a bit of talk to introduce each piece. The audience sings along as I play my five horns: Getzen Eterna Severinsen trumpet, Super Olds cornet, Austin Custom Brass (ACB) flugelhorn, Getzen bugle, and Jupiter pocket trumpet.
We had such a great time that I look forward to returning sometime in 2025, God willing. I have six different trumpet shows, so there’s plenty to choose from. Merry Christmas and Happy New Year!
Lobby, courtesy of Fairwinds, Brighton Court, Lynnwood
Veterans Day generated three gigs for me, and the first one was at Fairwinds, Brighton Court in Lynnwood on Saturday, 9 November 2024—two days before the actual Veterans Day (11 November). The other two performances will be covered in forthcoming blog posts.
I’ve now performed at 32 retirement communities, including many repeat appearances, throughout the Greater Seattle area. Fairwinds, Brighton Court is now the leader with six performances. My first trumpet show there was in 2018.
On this occasion, I appeared in my VFW uniform and presented my one-hour show, “I Stand for the Flag.” The audience was large and quite responsive. I used five horns: trumpet, cornet, flugelhorn, bugle, and pocket trumpet. The show consists of about two dozen patriotic marches, songs, and bugle calls. The audience sings along.
I look forward to returning for a seventh time in 2025, God willing. I offer six different shows, so next time could be entirely a different experience for the residents. Merry Christmas and Happy New Year!
It was Independence Day, and I was returning to Mercer Island, where I lived for 30 years (1973-2003), to perform my one-hour trumpet show, “I Stand for the Flag,” at Island House MBK Senior Living, a retirement community. Moreover, I was returning to Island House itself, where I had sounded “Taps” six years ago in a ceremony on Memorial Day, 28 May 2018. It was good to be back!
It was a bright, warm day, so the staff, led by Jacqueline Lilly, Director of Wellness Programming, set things up in the courtyard, where I and many of the audience sat under large, dark green umbrellas. I wore my VFW Honor Guard uniform, and as usual, played five horns–Getzen trumpet and field trumpet (bugle), Olds Super Cornet, ACB flugelhorn, and Jupiter pocket trumpet. The show consists of two dozen patriotic marches, songs, and bugle calls.
For more information about Island House, please see https://www.mbkseniorliving.com/senior-living/wa/mercer-island/island-house/. It is located downtown and offers assisted living and short-term stays in studio, one-bedroom, and two-bedroom apartments. Photos courtesy of Island House, Mercer Island.
“Things Remembered” is the name of one of my favorite one-hour trumpet shows. But that show is not the remembrance that still bothers me. Instead, it’s the memory of those five days, 16 to 20 December just before Christmas. On the 16th, I performed two bugle calls at the Wreaths Across America ceremony in Seattle, which I wrote about in my previous post here. And on the 20th, I performed my trumpet show, “Things Remembered,” at The Bellettini,” in downtown Bellevue. I struggled to play my horns on both days, and afterwards, I did not touch them again for the first four and a half months this year. What happened? Let me tell you.
Suddenly, a few days before the 16th, my buzz into the mouthpiece went bad. My lips would not respond to the air flow unless I blew quite hard. But you can’t play every note of every bugle call or song at “FF” volume. I’d blow, and at first, only air would hiss through the horn before a note would suddenly burst out. It was sort of like stammering or stuttering, when the words just won’t come out of a person’s throat for a few seconds, followed by a shout. I’d lost the ability to fade out down to “pp” and softer. I’d lost some control of dynamics and the ability to express certain emotions through the horn.
At first, I thought it was simply stiff lips that had lost their flexibility from not enough practicing. I thought I could overcome it if I warmed up for at least 20 minutes. But no amount of warming up would eliminate it. On the 16th, my “Assembly” didn’t sound normal. I struggled a bit with “Echo Taps,” too. It didn’t help that I had to stand and play without my cane, hunched over from lower back pain.
So, should I cancel my show at The Bellettini? I love The Bellettini, the staff, and the residents. They had invited me back for the fifth time to present a new show which they had not yet heard.
I couldn’t bear the thought of canceling, even if I wouldn’t sound normal. I had three more practice days to improve. If I didn’t sound better, would they forgive me? Or would they walk out and never invite me back again?
Yamaha Allen Vizzutti, Bach 1.5C, 3C, 8C, and Getzen 3C, 7C trumpet mouthpieces
No amount of practicing changed things. I reached a certain level, and nothing improved beyond that. Then I hit on another idea: what about changing mouthpieces? Up to now, I’d been using only my favorite, the Allen Vizzutti mouthpiece by Yamaha. So, I broke out my entire (but small) collection of six trumpet mouthpieces and tried each one. I got the best results with my Bach 1.5C. Eureka!
I arrived quite early, set up, and went into a side room to warm up for a half hour. Then I came out and did the show—not normal. But no one walked out. They were very tolerant and forgiving, and besides, they were enjoying themselves. After all, we’re all in the same age group–we could be classmates!
Afterwards, numerous residents came up to thank me and say how much they enjoyed the two dozen songs from our era–such great songs with which they could sing along!
And then, a tall man came up, thanked me, and said in a kind voice, “It’s hard to play when the buzz won’t work right, isn’t it?” He said he used to play saxophone and luckily, with a reed mouthpiece, that problem can’t happen.
“Yes,” I said. “But they liked the music and had a good time.”
He agreed sympathetically and complimented me for doing my best on an off day. Was that really all it was—just an off day? I worried that my playing days might be over entirely. I might never play again in public. I simply knew that I would never let myself play like that again.
But the experience of those five days begged the question: what caused this problem? It had never happened to me since I began playing in fifth grade.
I thought, “It must be my two front teeth”—my central incisors in the upper jaw. You see, for those readers who are young, your teeth can start to migrate in old age. Mine had been slowing creeping toward the middle of my mouth for several years, so much so that the left front tooth had actually slid outside and over the right one. It was overlapping and pushing itself outward against my upper lip, and it was probably also pushing the right tooth backwards toward my tongue.
Is this TMI–“Too Much Information?” Well, how else will you know what to do when this happens to you? Keep reading…
I developed a new theory. The crooked front teeth were diverting the air flow, ruining my buzz. So, last January, I went to see my orthodontist, Dr. Zachton Lowe in Shoreline. He advised plastic aligners by Invisalign instead of metal braces. He said it would take about sixteen months to straighten all my teeth.
“Can I play ‘Taps’ on Memorial Day?” I asked.
“Yes, I think so.”
And so, I did! The Bellettini taught me a huge lesson. Please read all about my Memorial Day performances in two blog posts which are soon to be posted in a few days–but first, I’ll post next about the music on our spring trip to Italy and Paris.
Glenn's Trumpet Notes 