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Posts Tagged ‘bugle calls’

Veterans Day at Three Venues in Ballard and Lynnwood: 7 Bugle Calls at Two Ceremonies Plus One Trumpet Show

Posted by glennled on November 26, 2023

VFW Eagleson Post 3063, Ballard, Seattle

Outdoors at 9 a.m. on Saturday, 11 November, at VFW Eagleson Post 3063’s hall in Ballard, I sounded my first bugle call of the day, “Assembly.” It called to order their Flag Ceremony to dedicate the Post’s new flagpole. Two speeches followed, one by the Post Commander, Alyson Teeter, and the other by Harold Rodenberger, the Post’s legendary veteran. A plaque honoring Rodenberger was unveiled.

As the old, worn flag was lowered, I sounded “Retreat.” Then, as the new, crisp flag was raised, I sounded “To the Color.” Afterwards, the Post hosted an open house (please see https://vfwseattle.org/). Those were the first three of seven bugle calls that I sounded during the day, using my Getzen Field Trumpet (i.e., bugle).

Joseph Fitzgerald invited me to do this. He’s a good friend and a former student of mine (see my blog post of 17 November 2017 in the Archives in the left column). He is Captain of the Post’s Color Guard and a former Commander of Post 3063. By the way, the Post “willingly accepts for proper disposal all United States Flags that are no longer wanted or are worn and no longer fit for display.” The Post’s name honors Lt. James Mills Eagleson, Army, WWI, who died in 1919 (please see https://www.facebook.com/uwlibscimed/posts/696495093858841).

Veterans Park, Lynnwood

Pvt. Walter A. Deebach, WWI

At 11 a.m., I again sounded “Assembly,” calling to order the annual Veterans Day ceremony, hosted by VFW Post 1040 in the City’s Veterans Park in downtown Lynnwood. As the Post’s Bugler, I’ve been doing this since 2011. Performing several songs on his bagpipe was Kyle Gaul, Piper. To end the ceremony, Laurence Stusser and I sounded “Echo Taps.”

This post honors Walter A. Deebach, Sr. in its name. He was a WWI Army private who fought in France and Germany and suffered lung damage from mustard gas used by the Germans. He was the leader in founding Post 1040. Please see an article by his daughter at https://myedmondsnews.com/2014/11/looking-back-father-walter-deebach-wwi/. She writes that in 1943, he was appointed “Director of the VFW’s Rehabilitation and Service Department for the State of Washington, with his office in Seattle. For the next 25 years, until his retirement in 1968 at the age of 70, assisting veterans and/or their survivors was his work.”

Fairwinds, Brighton Court, Lynnwood

At 2 p.m., I opened my trumpet show with a march, “British Grenadiers,” that is more than 300 years old. This was my fifth performance at this retirement community. I have six one-hour trumpet shows, and when retirement communities celebrate the military, as on Memorial Day, Veterans Day, Flag Day, Armed Forces Day, and others, someone always invites me to perform “I Stand for the Flag.” It consists of 24 patriotic marches, songs, and bugle calls. I wear my VFW Post 1040 uniform.

The two bugle calls in this show are my favorites [besides “Taps”]–“Sunset” (British) and “Tattoo” (American). When I started the show, there were about 20 people in attendance. By the time it ended, the audience had doubled. I felt like “The Pied Piper.”

I got home about 4 p.m. It was a very satisfying Veterans Day. We owe so much to those who have served, do we not? As the saying goes, “If you eat your meals in peace, thank a Veteran. Freedom is not free.”

Please click on any photo to enlarge it.

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Honoring Veterans: My First Performance at Sunrise of Mercer Island Retirement Community

Posted by glennled on November 21, 2023

Sunrise of Mercer Island

Not only was this my first performance of my one-hour trumpet show [I have six different shows] at the Sunrise of Mercer Island retirement community, but also it was the first time I’ve ever been asked for my autograph! Ha, who am I?—Mickey Mantle? Joe Montana? Beethoven? Louis Armstrong? Nope. Just an ancient trumpet player, as old as dirt.

After I performed “I Stand for the Flag,” a lady in the front row handed me a pen and one of my handouts, so I happily signed it. Maybe I should have my survivors engrave that on my tombstone: “He signed one autograph.” Success!

Another elderly lady in a wheelchair rolled up to me and said, “I’m 100 years old, and that was the most beautiful music I’ve ever heard!”

Well, anyway, what a kick in the pants it was for me on the 248th birthday of the U.S. Marine Corps (10 November) and the day before Veterans Day 2023!

The resident capacity of this retirement community is only 48, and about 15 (~one third) attended my show. Two are Veterans, one Army and one Army Air Corps, WWII. And my goodness, did they all earnestly sing and hum along with me, as I played 24 patriotic marches, songs, and bugle calls. I used four horns, my Getzen trumpet and bugle, Super Olds cornet, and Austin Custom Brass (ACB) flugelhorn. They asked, so I explained the similarities and differences among them. At the end, we stood, said The Pledge of Allegiance, and rendered the “Star-Spangled Banner.”

Afterwards, they told the staff member who assisted me that they wanted me to come back for another show. What more could any old performer want—requests for both an autograph and a return performance? I’ll take that any day. “Play it again, Sam.”

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Three Bugle Calls at Veterans Park in Lynnwood for Memorial Day Ceremony, Plus Neighborhood “Taps” in Edmonds, Plus Trumpet Show, “I Stand for the Flag,” in Redmond

Posted by glennled on June 3, 2023

Memorial Day Ceremony 2023, Veterans Park, Lynnwood, WA

On Memorial Day (29 May), I performed at three different venues—Veterans Park in Lynnwood, my Perrinville neighborhood in Edmonds, and Fairwinds, Redmond retirement community. In all, I sounded five different bugle calls and 24 patriotic marches and songs. It was a full day!

Memorial Day Ceremony, Veterans Park, Lynnwood

About 150 veterans and civilians assembled here, the largest crowd for this ceremony since we resumed it after the Covid years. The event was hosted by the City of Lynnwood and VFW Post 1040. Participants included:

  • VFW Post 1040 Honor Guard
  • Nile Shriners’ Legion of Honor from Mountlake Terrace
  • a piper and drummer from the Northwest Junior Pipe Band
  • American Legion Post 37 of Edmonds
  • Boy Scout Troop 49 of Lynnwood
  • Gold Star Mothers, Washington State Chapter
  • Lynnwood Firefighters
Nolan Stewart
Glenn Ledbetter

So, I sounded “Assembly” to start the event at 11 a.m., using my Getzen bugle. The guest speaker was Michelle Black, a Gold Star Mother (for more information on Gold Star Mothers, please see my blog post of 19 June 2014, using the Archives in left column). Incidentally, the Gold Star Mothers Monument in Veterans Park was dedicated on 2 November 2022, when I performed “Echo Taps” with Laurence Stusser, my trumpet student, who sounded the “echo” part on his 1947 Super Olds (Los Angeles) trumpet.

At the close of the ceremony, I sounded “Echo Taps” with the “echo” part sounded by Nolan Stewart, using his Bach trumpet. He will attend Oregon State University this fall and will be a member of the marching band. Finally, at noon, VFW Post 1040 Commander, John Beam, raised the flag from half to full mast, as I sounded “To the Color.”

“Taps” for my Neighbors

I’m a member of “Taps for Veterans,” a nationwide organization of buglers who perform at local ceremonies and funerals for veterans (please see http://www.tapsforveterans.org). The National Moment of Remembrance was inaugurated by Congress in 2000. It is an annual event that asks Americans, wherever they are at 3:00 p.m. local time on Memorial Day, to pause for one minute to remember those who have died in military service to the United States. Taps Across America (a sister organization at http://www.tapsacrossamerica.org) promotes this event by the sounding of “Taps” in local neighborhoods at 3 p.m. on Memorial Day.

By J.W.

In my case, however, I had to be in Redmond at that time, so I rushed from sounding “To the Color” at the above event in Lynnwood to my home in Edmonds, where I stood on our front porch and sounded “Taps” at about 12:20 p.m. A neighbor took my photo. Then, I hopped in my car at 12:30 and rushed to Redmond, where I was to perform one of my six trumpet shows at a retirement community at 2:00.

“I Stand for the Flag” at Fairwinds, Redmond Retirement Community

This was my second appearance at Fairwinds, Redmond. This one-hour show consists of two dozen patriotic marches, songs, and bugle calls. The audience sang along as I played my five horns: Getzen Trumpet, 1954 Super Olds Cornet (Los Angeles), Austin Custom Brass (ACB) Flugelhorn, Jupiter Pocket Trumpet, and Getzen Field Trumpet (Bugle). The two bugle calls in this show are “Sunset” (my favorite British call) and “Tattoo” (my favorite American call). I told a few jokes, too. It’s always fun!

Please click on any photo (above) to enlarge it. Four are by Mario Lotmore of Lynnwood Times, three by Jasmine Contreas-Lewis of Lynnwood Today, one by J.W., and five by me.

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Two Bugle Calls at Early Memorial Day Ceremony at Edmonds College

Posted by glennled on June 2, 2023

Edmonds Community College may have dropped its middle name in April, 2020 (the first Covid year), but none of the many veterans and civilians got confused or lost on 25 May when the college held its traditional early Memorial Day ceremony on campus. I’ve been sounding two bugle calls—“To the Color” and “Taps”—at every such event since 2014.

I use my Getzen field trumpet, starting with my B-flat tuning slide for “To The Color” and my G tuning slide for “Taps.” (For photos and more information about the horn and these slides, see my blog post of 4 May 2015, using the Archives in the left column).

The keynote speaker, Wally Webster II, gave one of the most moving speeches that I have heard at any of these ceremonies. He is a native of southern Alabama. To him, as a young black man, the American flag symbolized his terror of men riding on horseback in white robes and conical hats and burning crosses. Then he joined the U.S. Air Force. He said that his military service at a hospital in Japan, caring for wounded soldiers during the Vietnam War, was one of the two most pivotal events in his life. That’s when his deep pride and gratitude for the USA developed and changed him forever. After a 30-year career in banking, he is now one of the six Trustees of Edmonds College, appointed by the Governor of Washington state.

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“I Stand for the Flag” at Merrill Gardens, Renton Centre on 23 May for Early Memorial Day Celebration

Posted by glennled on May 25, 2023

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“I Stand for the Flag”–Trumpet Shows at Five Different Retirement Communities in Five Straight Days Clustered Around Veterans Day

Posted by glennled on December 26, 2021

Glenn Ledbetter performs at University House, Issaquah. Photo by Tina Kaiser.

Era Living has 8 retirement communities in the Greater Seattle area, and on five consecutive days around Veterans Day (11 November) I performed my trumpet show, “I Stand for the Flag,” at five of them (please see http://www.eraliving.com). I hope to perform at the other three in 2022.

If there were such a thing as a contest among these five for Best Veterans Day Decorations, then First Prize would have to be awarded to The Gardens at Town Square in Bellevue, where is Stephanie Butler is Life Enrichment Director. See photos below.

Interesting people come to talk with me after a show. For example, a lady at Ida Culver House, Ravenna in Seattle said her husband (deceased) was a direct descendant of Gen. Daniel A. Butterfield. With the help of his brigade bugler, Oliver Wilcox Norton in July 1862 during the Civil War, Butterfield composed the bugle call, “Taps,” at Harrison’s Landing, Virginia after the Seven Days Battle. Please see my blog article about this, dated 19 November 2012.

After my show at University House, Wallingford (UHW) in Seattle, a man and his wife told me that her ancestry tree includes a relationship with Frances Scott Key. Key, of course, is the author of the poem which became the lyrics of our national anthem, “The Star-Spangled Banner.”

I wear my VFW Honor Guard uniform when I perform this show, which consists of patriotic marches, songs, and bugle calls. And I use four horns: my Getzen Eterna Severinsen trumpet, Super Olds cornet, Getzen field trumpet (bugle), and Jupiter pocket trumpet. Next spring, I’ll be able to add my new Austin Custom Brass Doubler flugelhorn, which is now on order as a Christmas gift from my wife.

My six one-hour trumpet shows include sing-alongs and jokes. They are:

  • “I Stand for the Flag” – Patriotic marches, songs and bugle calls
  • “Things Remembered” – A mix of Christmas songs and popular songs loved by residents
  • “Showtune Favorites” – Hit songs from musicals and movies
  • “In Retrospect” – More of residents’ favorite songs
  • “St. Patrick’s Day Celebration” – Irish ballads, jigs and reels
  • “Where Were You, Back Then?” – Popular songs from selected years during residents’ era

Normally, “I Stand for the Flag” consists of 25 pieces of music. However, this time, the Executive Director of UHW, Deborah Montelaro, asked me to combine the music with a talk about Veterans affairs. That reduced the pieces to 16, and I performed that version of the show at four of the five venues.

I have now performed at least one of these shows at 24 different retirement communities in the Greater Seattle area, and I look forward to many more appearances in 2022, Covid and God willing.

9 Nov – Aljoya, Mercer Island (Photos courtesy of Aljoya and me)

10 Nov – University House, Issaquah (photos by Tina Kaiser of UHI and me)

11 Nov – Ida Culver House, Ravenna (photos courtesy of ICHR and me)

12 Nov – The Gardens at Town Square, Bellevue (Photos courtesy of TGTS by me)

13 Nov – University House, Wallingford, Seattle (Photos courtesy of UHW and me)

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Six Bugle Calls at Memorial Day, D-Day, Flag Day, and Independence Day Ceremonies at Shoreline Veterans Recognition Plaza

Posted by glennled on July 29, 2020

Veterans Recognition Plaza, Shoreline, WA
On Flag Day, Dwight N. Stevens, WWII veteran, was honored with a wreath as his son, Larry Stevens, holds his hand over his heart. “Eternal Father, Strong to Save” was played, the Honor Guard (background) fired three volleys, and “Taps” was sounded. Photo by Denise Frisino.

During a recent six-week span, Shoreline City Hall was the scene of four major military ceremonies held outdoors at the adjacent Veterans Recognition Plaza which was dedicated on 21 May 2016. The ceremonies were organized and led by a Shoreline resident, Major General Ray Coffey, United States Volunteer Joint Service Command (USVJSC)

  • 25 May – Memorial Day
  • 6 June – D-Day
  • 14 June – Flag Day and 246th birthday of U.S. Army
  • 4 July – Independence Day and 244th birthday of USA

Participating in these ceremonies reminded me that, of course, the Army was formed before the United States became an independent nation. We had to fight a war to win independence. On 14 June 1775, the Continental Congress authorized the enlistment of riflemen to serve the United Colonies for one year. On the next day, George Washington was chosen as Commander-in-Chief and assigned the rank of General.

Major participants in the various ceremonies included members of the USVJSC, U.S. Army Reserve Command, U.S. Army Recruiting Command, VFW Post 3348 (Shoreline), VFW Post 1040 (Lynnwood), American Legion Post 0227 (Shoreline), NW Junior Pipe Band, Boy Scout Troop 312 (Edmonds), and veterans of all five military branches.

When called upon, the Honor Guard of VFW Post 1040 fired the three-volley salutes at these ceremonies. Likewise, when called upon, I sounded up to six bugle calls: Assembly, To the Color, Adjutant’s Call, Flourish for Review (“Ruffles”), Taps, and Echo Taps. On 4 July, a Boy Scout who has earned the Bulger Merit Badge sounded both Echo Taps with me and To the Color (solo). I used my Getzen bugle, and he used his trumpet. He is now an 8-grader at Madrona School in Edmonds and sounds Taps with the VFW Post 1040 Honor Guard at funeral services. Symphony Aimes sang “America the Beautiful” and “God Bless America” at the Independence Day ceremony.

Please click to enlarge a photo.

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Music at 50th Anniversary of the Moon Landing Ceremony at Neil Armstrong Plaza in Edmonds

Posted by glennled on July 24, 2019

 

LtoR-Hoggins, Vogel, Earling, Clark

L to R: Dale Hoggins, Larry Vogel, Mayor Dave Earling, and Dennis Clark. Vogel holds his copy of The New York Times from 50 years ago. Clark, while a high school student, spearheaded the idea of honoring Neil Armstrong with a monument in Edmonds. Hoggins, former Edmonds School District principal, once coached Clark in Little League baseball. Mayor Earling officially re-dedicated the monument. Photo by Julia Wiese, My Edmonds News.

 

20 July 2019 minus 20 July 1969 = 50 years. And that’s how long it’s been since Neil Armstrong and Edwin (“Buzz”) Aldrin walked on the moon. The whole nation, the whole world is remembering this most amazing event in human history.

In Edmonds, the occasion sparked the creation, dedication, and re-dedication of the Apollo 11 Monument which now sits downtown in the Neil Armstrong Plaza. Never heard of it? Nor had I, but after last Saturday, I’ll never forget it. I found it at the north end of the Edmonds Police Station, just off 5th Street. There, I provided the music for the re-dedication ceremony at 9 a.m. on 20 July—two bugle calls on my Getzen bugle and three songs on my Getzen trumpet:

Apollo 11 Monument, Edmonds, by Feliks Banel

The gray Apollo 11 Monument in Neil Armstrong Plaza, Edmonds, turned golden at sunset. Photo by Feliks Banel.

  • “Assembly”
  • “To the Color”
  • “Anchors Aweigh” (for Neil Armstrong, Naval Aviator and test pilot)
  • “Wild Blue Yonder” (for Edwin “Buzz” Aldrin, Jr., Air Force fighter pilot, Korean War, and Michael Collins, Air Force test pilot and author)
  • “America the Beautiful”

tn_Apollo_11_Crew - Photo courtesdy of NASA.

Apollo 11 Crew (L to R): Armstrong, Aldrin, Collins. NASA photo.

About 40 people attended. Felix Banel, noted Northwest historian and KIRO-FM radio personality, emceed the re-dedication event. Historian Larry Vogel, the keynote speaker, told of how, in his boyhood, he was caught up in the space race with the Soviet Union in the late 1950s through the 1960s. After the moon walk, “I ran out the next morning as soon as the newspapers hit the stands [on Long Island, his home] and picked up a copy of The New York Times—I knew it would be historic. For the first time, the staid Times ran a headline in the largest type they had ever used—‘Men Walk on Moon.’ I’ve kept it safely at the bottom on my sock drawer ever since!”

Mayor Dave Earling reflected on the moon walk and then read the proclamation, re-dedicating the monument. He promised to upgrade the plaza and make it more well-known. Afterwards, I learned that he is a former trumpet player and was a music teacher and the Band Director, Shoreline Community College, 1967-1978. Then he became real estate broker, manager, and owner of Edmonds Realty for 25 years. He lives in Perrinville, where I live also. He owns 5 trumpets, and his favorite is a King.

After the ceremony concluded, I went, as part of the VFW Post 1040 Honor Guard, to Edmonds Cemetery for a memorial service. There I sounded “Taps” immediately after the rifle team rendered the three-volley rifle salute for the deceased Navy veteran.

And from there, I went to busk at the Veterans Plaza next to the Edmonds Saturday Market in downtown Edmonds. I played songs for an hour and a half—I do this two-to-four times a summer to fundraise. All donations are split between VFW Post 1040, Lynnwood, and VFW Post 8870, Edmonds. So far this summer, having busked three times, I’ve raised $140, donated by the generous people who attend the market and come to the adjacent plaza to sit and listen to the trumpet. I’m a lucky man. Please see my posts of 7 July and 11 October 2017, using the Archives in the left column.

Plaque on monument (3)

Plaque on Apollo 11 Monument, Edmonds. Photo courtesy of Larry Vogel.

 

Apollo 11 and the Monument

The Apollo 11 monument was designed to resemble a space capsule by local sculptor and Edmonds Community College art teacher, Howard Duell. Made of concrete and brass, it stands more than 11 feet high and weighs about 3,800 pounds. On the front is depicted Armstrong’s moon walk with the American flag planted in the lunar surface in 1969. On the back is the Saturn V rocket on its launch pad at Kennedy Space Center in Florida, with the moon rising behind, as the Apollo 11 mission prepares for launch.

It was originally dedicated on 4 July 1976, our nation’s bicentennial date. Washington Gov. Dan Evans issued a declaration naming the occasion as “Neil Armstrong Plaza Day.” Larry Vogel wrote, “the crowd gathered, the ribbon was cut, and the monument dedicated just in time for the start of the Fourth of July parade.”

Michael Collins was the third member of the Apollo 11 crew. He remained in orbit around the moon inside the Columbia space capsule while Armstrong and Aldrin walked on the moon, exploring the area and gathering moon rocks for analysis.

My Edmonds News recently published two articles about the original dedication of the monument and the re-dedication ceremonies, and Feliks Banel posted another:

Photos are courtesy of My Edmonds News, Julia Wiese, photographer, unless otherwise credited. Please click on any photo to enlarge it.

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Who Was Arthur F. Church?

Posted by glennled on February 5, 2019

img_2454

A bugler’s headstone among the 5,000 graves in Evergreen-Washelli’s Veterans Memorial Cemetery, Seattle, including seven Medal of Honor recipients

 

For seven years (2011-17), I always stood in one spot to sound “Taps” at the annual Wreaths Across America (WAA) ceremony, held each December at Evergreen-Washelli’s Veterans Cemetery in north Seattle. That one spot is among about 5,000 veterans’ graves. It’s right next to one gravestone that had become quite special to me. I had developed a fond image of the man buried there. But this year, the ceremony was moved farther west within the cemetery (please see my blog post of 15 January 2019). I missed my old spot near my departed comrade from “Auld Lang Syne” (old times gone by). I knew his name but not his story.

wwi-us-army-recruitment-poster-horse-cavalry-bugler-bugle-vintage-print-764-4530b52534f77cff9723cf1f5c896a02

WWI U.S. Army recruitment poster for the horse cavalry

I first sounded “Taps” at the WAA ceremony on 10 December 2011. Prior to the ceremony, as the Honor Guard (rifle team) of VFW Post 1040 lined up along the sidewalk leading uphill to the Chimes Tower, I searched nearby among the hundreds of gravestones for a spot to stand. It’s important to be close to them but not so close that the ejected shell casings might hit you. Also, you want to be visible by the ceremony’s participants and audience.

I made my choice, positioned myself there, and waited for my cue. During the ceremony, I started to read the round-top gravestones nearby. To my left, I saw this inscription: “Arthur F. Church, Idaho, Bugler…”

Imagine that—how rare, how unusual! In my life, I’ve learned to pay close attention to such coincidences. Immediately, I was curious. Churchwas he a Christian believer? Idahosince 1851, when the first settlers built cabins on Alki Point, hundreds of thousands of people, including me, have moved to Seattle from everywhere. Born 28 October 1889America entered WWI in April 1917, when he was 27. Died 10 January 1945only four months afterwards came WWII’s Victory-in-Europe (V-E) Day. He was only 55 when he died. Had he been wounded in the war? Buglers were special targets; kill a bugler, and you disrupt your enemy’s communications. And there I was, 66 years later at age 71, standing near his marker, near his grave, near his remains, waiting to sound “Taps” at a ceremony meant to honor all those like him, who served.

2012-06-23_usd1812_marker_dedication_washelli0012

Glenn Ledbetter sounds “Taps” near headstone of Arthur F. Church, Bugler, in Veterans Memorial Cemetery, Evergreen Washelli, 2012

So, every time I’ve played “Taps” at any subsequent military ceremony near the Chimes Tower, that’s where I’ve always stood—next to Arthur. And lately, I’ve begun to ponder—Who was Arthur F. Church, Idaho, Bugler, 109th Infantry, 28th Division?

After much searching on the internet, I learned a lot about him. I read about the regiment and the division, his active duty in the military, his family including two brothers, one sister, and six half-siblings, his two wives but no children, his work, his troubles with narcotics and the law, his early death, and more. Let me focus on bugling because that’s what we have in common.

I had imagined that he might have been a career musician, perhaps even playing cornet in a military band. But it appears that Arthur was drafted into the Army toward the end of WWI and served only one year. He enlisted on 24 May 1918, and was discharged on 20 May 1919. The Armistice (cease fire agreement) that ended WWI was signed on 11 November 1918. He already was a married man. He had married Florence Strike in Wallace, Idaho on 2 April 1917. Did he play a brass instrument before entering the service? I don’t know. In any case, the Army made him a bugler, and apparently, that’s all the bugling he ever did.

Census records in 1920 and 1930 indicate that after the war, he lived as a lodger in Seattle and worked as a miner and a hook tender in the regrading industry. Other public records describe him thus at age 34: height 5’6″, weight 144 lbs, dark brown hair, brown eyes, medium build, ruddy complexion, with gold-crowned, upper left molar teeth and scars on the back of his head, right hand, and right thigh. Arthur seems to have had a “hard-knock life,” as the song goes in the musical, Annie.

Did he serve in Europe? Was he ever in combat? Did he ever sound bugle calls in battle—“To Arms, Charge, Retreat, Commence Firing, Cease Firing,” and more?  Or did he, like me, sound only those used in the daily routine and at ceremonies—“Reveille, Mess, Sick, School, Church, Assembly, Drill, Dress Parade, To the Color, Officers’ Call, Adjutants’ Call, Tattoo, Taps, Funeral March,” and more? Either way, it was important. As the soldiers said, “How else would we all know when to wake up and go to chow?”

bugle that sounded end of wwi - nat'l museum of american history

Bugle that sounded end of WWI, courtesy of National Museum of American History, Washington, D.C.

There is a book that covers all the calls that every 1918 U.S. military bugler had to know. It’s by V.F. Safranek and was published in 1918 in New York by Carl Fischer, 158 pages. It’s entitled, Complete Instructive Manual for Bugle, Trumpet and Drum. Now we know what Arthur F. Church, Bugler, knew.

In addition, I own two other excellent bugle call books:

  • 67 Bugle Calls As Practiced in the Army and Navy of the United States, New Edition published by Carl Fischer in 1998. It is based upon John Philip Sousa’s A Book of Instruction for the Field Trumpet [Bugle] and Drum, also published by Carl Fischer in 1886.
  • Infantry Bugle Calls of the American Civil War, authored by George Rabbai and published by Mel Bay Publications, Inc. in 1998. Forty-nine bugle calls are included, as well as narration, spoken commands, and anecdotes and stories from the accounts of infantry soldiers.

Leo-Foster (right)-WWI-Buglers-copy

American WWI buglers, including Leo Foster (right)

Arthur’s father is buried in Port Townsend, WA. His mother, older brother, and at least three of his half-siblings are buried at Evergreen-Washelli.

On 4 September 1945, Evergreen-Washelli applied for a military, upright marble headstone for Arthur. It was approved, shipped, and installed amongst his fellow veterans, as shown in the accompanying photos. Why does the inscription reference the state of Idaho? It might just be a clerical error because his Company D, 109th Regiment, 28th Division was neither created nor stationed in Idaho. They’re out of Pennsylvania. Neither was Arthur born in Idaho; he was born in South Dakota. But perhaps it was simply because Arthur probably was living with his bride in Idaho when he was drafted.

The next time I sound “Taps” near the Chimes Tower in Veterans Memorial Cemetery, I’ll again stand next to Arthur F. Church, whose gravestone bears the cross above his name.

Let me express my gratitude to Mary Ann Fuller, my primary information source, and to Karen Sipe for additional information presented in this article. Please click on any photo to enlarge it.

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